Are Personal Attacks Protected by Law?

35 Comments

While I looking through the various developments on the efforts to silence speech, I came across some interesting cases related to “free speech” that I’d like to review. In explanation, the First Amendment to the US Constitution guarantees speech free from government interference. There are a few limitations to this; for example, when you’re a government employee. However, the First Amendment doesn’t cover speech in the private sector. That means employees are subject to the policy of their employer as far as speech goes. Also, “public” persons are subject to more stringent standards in libel or defamation lawsuits and have to show malice, rather than just negligence in order to win damages.

Looking at the cases, the NRA vs. San Francisco Board of Supervisors suit is fairly straight-forward. It’s about infringement of constitutional rights because the Board of Supervisors is a government entity. That means the NRA, in their suit, is charging the San Francisco government is interfering with their ability to advocate for their political views (okay, plus defamation).

Here’s a a more complex and interesting suit that’s currently working its way through the courts in Virginia. Edward Tayloe is currently party to a lawsuit to preserve Confederate statues in the Charlottesville downtown. University professor and activist Jalane Schmidt provided quotes to a local newspaper article in which she called Tayloe a “slavery apologist,” among other things. Tayloe responded with a defamation suit claiming Schmidt wrongly portrayed him as a racist, which hurt his reputation and his ability to do business in the city. Although Schmidt works for a government entity (a state university), the Virginia Department of Risk Management found the case fell outside of the scope of her employment. The ACLU stepped in to defend her and filed for a dismissal, arguing Schmidt’s speech is covered by the First Amendment, and labeling the suit a SLAPP (a strategic lawsuit against public participation). The motion also notes that Schmidt’s statements are opinion, “a well-protected category of speech.”

So, is any “opinion” you express about a person protected by law? Does this allow open season for personal attacks (a.k.a. author bullying)? Can you call anyone you don’t like a racist (for example) and damage their career (as a writer, for example)? This has recently developed into a common problem in publishing, especially in the Young Adult market, where “fans” attack books as racist to get them pulled from publication. Should this kind of action be protected speech?

Of course, there are limits on personal attacks. Some kinds of speech are not protected. In 2017 an online argument about gaming escalated to “swatting” that resulted in an innocent person’s death. Understandably, the person who initiated the call to police was convicted of charges including interstate threats and involuntary manslaughter, but two other gamers who were involved in the argument were also convicted of felony conspiracy. A similar incident happened in 2015 when Lou Antonelli swatted David Gerrold after an argument on the Hugo Awards. Luckily this incident was resolved without fatalities.

So, have personal attacks become an acceptable pattern of expression in the current political climate? Do people even realize when they’ve doing it? Should verbal bullying be protected speech?

What If? Attacks on Rocket Stack Rank

20 Comments

A furor erupted this week in SFF cyberspace about pronouns and how reviewer Greg Hullender of Rocket Stack Rank has made light of them. For anyone just tuning in, Rocket Stack Rank (RSR) is a review site run by Hullender and Eric Wong that provides brief reviews of stories eligible for the major SFF awards, including the Nebula, the Hugo, and presumably the Bram Stoker and other awards.

The site has received a lot of positive notice, and recently Hullender was tapped to serve on the Locus panel that feeds the major awards. In response, a group of SFF authors posted an open letter complaining about the pronoun issue and Hullender’s take on trans and non-binary characters in the reviews, also calling him a racist for good measure. Since I’m not trans or non-binary, I’m going to refrain from commenting on this. Everybody is entitled to their own feelings. However, I just wrote the last blog on virtue signaling, so I’m looking at this dust up through that lens.

Hullender promptly posted an apology to “all readers and authors we’ve harmed and offended.” This was judged unacceptable because he also wrote a response to the charges with evidence to demonstrate how they were questionable. Of course, it’s unsupportable to discriminate against people because of their race, gender or trans status, but what if this is actually about something else?

David Gerrold recently made some interesting comments at Amazing Stories. He basically says that members of the SFF community have to stand up and take sides in the progressive/conservative fight in order to save their reputations. This is troubling because it suggests you can’t just remain neutral. Instead, you have to take sides, and then to signal your virtue through word and action in order to be accepted in the community. So why are Hullender and Wong being attacked? Have they not done this properly?

The authors of the open letter think they’re insensitive racists. Hullender seems to think they‘re thoughtful progressives. So, are they posting discriminatory reviews, or are they just posting equal opportunity bad reviews for stories they don’t like?

Trans is the current cause célèbre. Is critiquing the stories not proper virtue signaling? What are members of the community expecting instead?

Award Winners that Don’t Hold Up over Time

Leave a comment

In her 2014 article on literary awards, Barbara Cohen notes: “Cultural prizes notoriously reward the wrong works for the wrong reasons: On the long list of worthies deprived of the Nobel for literature are Tolstoy, Proust, and Joyce.” I’ve been discussing influences on the awards over the last few blogs, and of course these issues are likely to result in some winners that don’t hold up over time.

Checking around, I found The Hugo Award Book Club (HABC), which has a page discussing the issue of poor choices. The group awards the “Worst Hugo Award” title to 1973, when Isaac Asimov won his first Hugo for a novel with The Gods Themselves. Here was the lineup of finalists that year. As was standard in those times, there were no concerns about diversity, so the finalists are all white men.

The Gods Themselves by Isaac Asimov [Galaxy Mar/Apr,May/Jun 1972; If Mar/Apr 1972]
When Harlie Was One by David Gerrold [Ballantine, 1972]
There Will Be Time by Poul Anderson [Signet, 1972]
The Book of Skulls by Robert Silverberg [Scribner’s, 1972]
Dying Inside by Robert Silverberg [Galaxy Jul/Aug,Sep/Oct 1972; Scribner’s, 1972]
A Choice of Gods by Clifford D. Simak [Putnam, 1972]

The HABC briefly reviews all these works, along with some other worthy contenders that year. Asimov’s winner was a three-part series published in Galaxy Magazine where aliens in a different dimension steal energy from ours, causing the sun to go nova. The HABC notes that the physics is interesting, but that the end result was dull and boring and the book has not aged well in comparison to the other contenders that year. In the comments Steve Davidson mentions that the work was recognized at the time for its risks with sexual content, but that isn’t anything exceptional these days, so the novel’s shortcomings are what stand out.

So what affected the WorldCon membership that year to make this choice? Asimov’s reputation as a short story writer? Frederik Pohl’s reputation as the editor of Galaxy? The ascendancy of hard SF? Promotion? Some kind of groupthink issue? Whatever it was, the vision affected the Nebula and Locus voters, too. The novel also won the Nebula in 1972 and the Locus Award in 1973.

Getting back to the present time, which of recent choices in the awards will hold up best over time? It’s an interesting question, eh?

Review of “The First Draft of My Appendix N Book” by Jeffro Johnson

22 Comments

FeatherPenClipArt
This is a book-length Hugo finalist published on the author’s website here.

Johnson discusses classic SF writers’ work and how these have influenced games and gaming. He includes interviews, and a chapter on “Adventure Romance in 1934, 1946, 1978, 1988, and 2014.” He challenges assertions that this literature has failed to stand up and should be replaced on the reading shelf by more modern works. His thesis is in support of reading Golden Age adventure SF, not only as the basis for current work, but also because of its intrinsic quality. In support of this, he provides sales rankings for pioneers like Asimov, Bradbury, Heinlein and Clarke, compared to highly popular current authors.

This is well written, well organized, well supported with examples and includes an exhaustive survey of Golden Age SF as it relates to gaming. The topic may be of limited interest to people outside the gaming community, but it’s a worthwhile read for the SF history. Four stars.

Hugo Award Ceremony

3 Comments

royalty-free-writing-clipart-illustration-1146779
Well, that was interesting. Since I’m now a paid up member of WorldCon, I felt it necessary to watch the award ceremony. There was some trollish shouting from the peanut gallery in the preshow, but the actual award ceremony was mostly a model of the group hug. Likely this is because the very smooth David Gerrold and Tananarive Due were hosting.

Congrats to all the winners! Also to the awesome wit Wesley Chu who won the Campbell Award for work including Time Salvager.

Best related work: No award
Short story: No award
Novelette: Thomas Olde Heuvelt, “The Day the World Turned Upside Down”
Novella: No award
Novel: Cixin Liu, The Three Body Problem

According to the post show stats, The Three Body Problem was the clear front-runner all the way, leading in all rounds of voting, but “The Day the World Turned Upside Down” only emerged as winner in the fourth of five rounds. These were historic awards, as a translation has never won before in the novel category, much less two translations as the only fiction awards.

To see all the winners, check here.