Review of Terra! Tara! Terror! edited by Juliana Rew

Leave a comment

This is Third Flatiron Anthology #24, released 30 September 2018 in both e-book and paperback formats. This anthology falls into the underserved class identified by Natalie Luhrs, that is, anthologies edited by women. Rew is an accomplished editor, but independent.

This is an excellent collection of stories, as usual without being cluttered up by way of political statements one way or the other. This release definitely leans to the literary and to fantasy rather than SF. The description says the anthology is about mystery and shadows and the content of the stories varies, as you would expect given such a general theme. The authors are notably international, and the stories are better than the average creative.

“Learning to Fly” by Marie Vibbet is about a little girl who makes her school poster into a magic carpet with the help of a high wind. “If a Tree Falls” by Dan Micklethwaite is about a Dryad that grows old and eventually loses her footing in a storm. “Memory and Muchness” by Rhonda Eikamp details the life of a child surrounded by Alice in Wonderland characters and how she finds her way to the real world. In “War Dog” Wulf Moon presents a story about the Conquistadors that’s is okay on the surface, but alludes to an ugly past. “The Lady of the Park” by Blake Jessop is about a London lamplighter who falls and is caught by a Spriggan. Other authors include Salinda Tyson, Jen Downes, Evelyn Deshane, John Paul Davies, Steven Mathes, Diane Morrison, E.M. Sheehan, Michele Baron, Liam Hogan, Stefon Mears, K. G. Anderson, Kelly A. Harmon, Matthew Reardon, Samuel Chapman, Emmett Schlenz, Gustavo Bondoni, Melanie Rees, Kiki Gonglewski, Caroline Sciriha, Wulf Moon, Elizabeth Twist, and Josh Taylor. In addition, there’s a special reprint from Robert Silverberg and a bit of humorous flash fiction at the end of the book.

Recommended. Four stars.

Advertisements

Award Winners that Don’t Hold Up over Time

Leave a comment

In her 2014 article on literary awards, Barbara Cohen notes: “Cultural prizes notoriously reward the wrong works for the wrong reasons: On the long list of worthies deprived of the Nobel for literature are Tolstoy, Proust, and Joyce.” I’ve been discussing influences on the awards over the last few blogs, and of course these issues are likely to result in some winners that don’t hold up over time.

Checking around, I found The Hugo Award Book Club (HABC), which has a page discussing the issue of poor choices. The group awards the “Worst Hugo Award” title to 1973, when Isaac Asimov won his first Hugo for a novel with The Gods Themselves. Here was the lineup of finalists that year. As was standard in those times, there were no concerns about diversity, so the finalists are all white men.

The Gods Themselves by Isaac Asimov [Galaxy Mar/Apr,May/Jun 1972; If Mar/Apr 1972]
When Harlie Was One by David Gerrold [Ballantine, 1972]
There Will Be Time by Poul Anderson [Signet, 1972]
The Book of Skulls by Robert Silverberg [Scribner’s, 1972]
Dying Inside by Robert Silverberg [Galaxy Jul/Aug,Sep/Oct 1972; Scribner’s, 1972]
A Choice of Gods by Clifford D. Simak [Putnam, 1972]

The HABC briefly reviews all these works, along with some other worthy contenders that year. Asimov’s winner was a three-part series published in Galaxy Magazine where aliens in a different dimension steal energy from ours, causing the sun to go nova. The HABC notes that the physics is interesting, but that the end result was dull and boring and the book has not aged well in comparison to the other contenders that year. In the comments Steve Davidson mentions that the work was recognized at the time for its risks with sexual content, but that isn’t anything exceptional these days, so the novel’s shortcomings are what stand out.

So what affected the WorldCon membership that year to make this choice? Asimov’s reputation as a short story writer? Frederik Pohl’s reputation as the editor of Galaxy? The ascendancy of hard SF? Promotion? Some kind of groupthink issue? Whatever it was, the vision affected the Nebula and Locus voters, too. The novel also won the Nebula in 1972 and the Locus Award in 1973.

Getting back to the present time, which of recent choices in the awards will hold up best over time? It’s an interesting question, eh?

So how did the Rabid Puppies do in the Hugo nominations?

4 Comments

Am back but disorganized. While I was busy vacationing, the Hugo finalists for this year were announced, containing many of the expected works. Aside from that, I’m sure everyone is dying to know how Vox Day did against the new E Pluribus Hugo system that was installed last year to block slate voting. Day apparently analyzed the system and, in response, modified his recommendations from a full slate to (mostly) a single work in each category. This seems to have been a successful strategy, as his recommendations made the finalist list in ten categories, including the Campbell Award. If not for the declines/ineligible, he’d have made three more. Below are the 2017 finalists. I’ve marked the Rabid Puppies choices in bold.

This list of works received enough votes to be finalists, but were either ineligible or declined:

Best Dramatic Presentation (Short Form): Game of Thrones: “The Winds of Winter”

Best Professional Artist: Tomek Radziewicz

Best Professional Artist: JiHun Lee

Best Semiprozine: Lightspeed Magazine

Best Fanzine: File 770

On to the 2017 Hugo finalists:

Best Novel

All the Birds in the Sky, by Charlie Jane Anders (Tor Books / Titan Books)

A Closed and Common Orbit, by Becky Chambers (Hodder & Stoughton / Harper Voyager US)

Death’s End, by Cixin Liu, translated by Ken Liu (Tor Books / Head of Zeus)

Ninefox Gambit, by Yoon Ha Lee (Solaris Books)

The Obelisk Gate, by N. K. Jemisin (Orbit Books)

Too Like the Lightning, by Ada Palmer (Tor Books)

Best Novella

The Ballad of Black Tom, by Victor LaValle (Tor.com publishing)

The Dream-Quest of Vellitt Boe, by Kij Johnson (Tor.com publishing)

Every Heart a Doorway, by Seanan McGuire (Tor.com publishing)

Penric and the Shaman, by Lois McMaster Bujold (Spectrum Literary Agency)

A Taste of Honey, by Kai Ashante Wilson (Tor.com publishing)

This Census-Taker, by China Miéville (Del Rey / Picador)

Best Novelette

“Alien Stripper Boned From Behind By The T-Rex”, by Stix Hiscock (self-published)

“The Art of Space Travel”, by Nina Allan (Tor.com , July 2016)

“The Jewel and Her Lapidary”, by Fran Wilde (Tor.com publishing, May 2016)

“The Tomato Thief”, by Ursula Vernon (Apex Magazine, January 2016)

“Touring with the Alien”, by Carolyn Ives Gilman (Clarkesworld Magazine, April 2016)

“You’ll Surely Drown Here If You Stay”, by Alyssa Wong (Uncanny Magazine, May 2016)

Best Short Story

“The City Born Great”, by N. K. Jemisin (Tor.com, September 2016)

“A Fist of Permutations in Lightning and Wildflowers”, by Alyssa Wong (Tor.com, March 2016)

“Our Talons Can Crush Galaxies”, by Brooke Bolander (Uncanny Magazine, November 2016)

“Seasons of Glass and Iron”, by Amal El-Mohtar (The Starlit Wood: New Fairy Tales, Saga Press)

“That Game We Played During the War”, by Carrie Vaughn (Tor.com, March 2016)

“An Unimaginable Light”, by John C. Wright (God, Robot, Castalia House)

Best Related Work

The Geek Feminist Revolution, by Kameron Hurley (Tor Books)

The Princess Diarist, by Carrie Fisher (Blue Rider Press)

Traveler of Worlds: Conversations with Robert Silverberg, by Robert Silverberg and Alvaro Zinos-Amaro (Fairwood)

The View From the Cheap Seats, by Neil Gaiman (William Morrow / Harper Collins)

The Women of Harry Potter posts, by Sarah Gailey (Tor.com)

Words Are My Matter: Writings About Life and Books, 2000-2016, by Ursula K. Le Guin (Small Beer)

Best Graphic Story

Black Panther, Volume 1: A Nation Under Our Feet, written by Ta-Nehisi Coates, illustrated by Brian Stelfreeze (Marvel)

Monstress, Volume 1: Awakening, written by Marjorie Liu, illustrated by Sana Takeda (Image)

Ms. Marvel, Volume 5: Super Famous, written by G. Willow Wilson, illustrated by Takeshi Miyazawa (Marvel)

Paper Girls, Volume 1, written by Brian K. Vaughan, illustrated by Cliff Chiang, colored by Matthew Wilson, lettered by Jared Fletcher (Image)

Saga, Volume 6, illustrated by Fiona Staples, written by Brian K. Vaughan, lettered by Fonografiks (Image)

The Vision, Volume 1: Little Worse Than A Man, written by Tom King, illustrated by Gabriel Hernandez Walta (Marvel)

Rabid Puppies – no recommendation in this category

Best Dramatic Presentation, Long Form

Arrival, screenplay by Eric Heisserer based on a short story by Ted Chiang, directed by Denis Villeneuve (21 Laps Entertainment/FilmNation Entertainment/Lava Bear Films)

Deadpool, screenplay by Rhett Reese & Paul Wernick, directed by Tim Miller (Twentieth Century Fox Film Corporation/Marvel Entertainment/Kinberg Genre/The Donners’ Company/TSG Entertainment)

Ghostbusters, screenplay by Katie Dippold & Paul Feig, directed by Paul Feig (Columbia Pictures/LStar Capital/Village Roadshow Pictures/Pascal Pictures/Feigco Entertainment/Ghostcorps/The Montecito Picture Company)

Hidden Figures, screenplay by Allison Schroeder and Theodore Melfi, directed by Theodore Melfi (Fox 2000 Pictures/Chernin Entertainment/Levantine Films/TSG Entertainment)

Rogue One, screenplay by Chris Weitz and Tony Gilroy, directed by Gareth Edwards (Lucasfilm/Allison Shearmur Productions/Black Hangar Studios/Stereo D/Walt Disney Pictures)

Stranger Things, Season One, created by the Duffer Brothers (21 Laps Entertainment/Monkey Massacre)

Best Dramatic Presentation, Short Form

Black Mirror: “San Junipero”, written by Charlie Brooker, directed by Owen Harris (House of Tomorrow)

Doctor Who: “The Return of Doctor Mysterio”, written by Steven Moffat, directed by Ed Bazalgette (BBC Cymru Wales)

The Expanse: “Leviathan Wakes”, written by Mark Fergus and Hawk Ostby, directed by Terry McDonough (SyFy)

Game of Thrones: “Battle of the Bastards”, written by David Benioff and D. B. Weiss, directed by Miguel Sapochnik (HBO)

Game of Thrones: “The Door”, written by David Benioff and D. B. Weiss, directed by Jack Bender (HBO)

Splendor & Misery [album], by Clipping (Daveed Diggs, William Hutson, Jonathan Snipes)

Best Editor, Short Form

John Joseph Adams

Neil Clarke

Ellen Datlow

Jonathan Strahan

Lynne M. Thomas & Michael Damian Thomas

Sheila Williams

Best Editor, Long Form

Vox Day

Sheila E. Gilbert

Liz Gorinsky

Devi Pillai

Miriam Weinberg

Navah Wolfe

Best Professional Artist

Galen Dara

Julie Dillon

Chris McGrath

Victo Ngai

John Picacio

Sana Takeda

Best Semiprozine

Beneath Ceaseless Skies, editor-in-chief and publisher Scott H. Andrews

Cirsova Heroic Fantasy and Science Fiction Magazine, edited by P. Alexander

GigaNotoSaurus, edited by Rashida J. Smith

Strange Horizons, edited by Niall Harrison, Catherine Krahe, Vajra Chandrasekera, Vanessa Rose Phin, Li Chua, Aishwarya Subramanian, Tim Moore, Anaea Lay, and the Strange Horizons staff

Uncanny Magazine, edited by Lynne M. Thomas & Michael Damian Thomas, Michi Trota, Julia Rios, and podcast produced by Erika Ensign & Steven Schapansky

The Book Smugglers, edited by Ana Grilo and Thea James

Rabid Puppies – no recommendation in this category

Best Fanzine

Journey Planet, edited by James Bacon, Chris Garcia, Esther MacCallum-Stewart, Helena Nash, Errick Nunnally, Pádraig Ó Méalóid, Chuck Serface, and Erin Underwood

Lady Business, edited by Clare, Ira, Jodie, KJ, Renay, and Susan

nerds of a feather, flock together, edited by The G, Vance Kotrla, and Joe Sherry

Rocket Stack Rank, edited by Greg Hullender and Eric Wong

SF Bluestocking, edited by Bridget McKinney

Best Fancast

The Coode Street Podcast, presented by Gary K. Wolfe and Jonathan Strahan

Ditch Diggers, presented by Mur Lafferty and Matt Wallace

Fangirl Happy Hour, presented by Ana Grilo and Renay Williams

Galactic Suburbia, presented by Alisa Krasnostein, Alexandra Pierce and Tansy Rayner Roberts, produced by Andrew Finch

The Rageaholic, presented by RazörFist

Tea and Jeopardy, presented by Emma Newman with Peter Newman

 Best Fan Writer

Mike Glyer

Jeffro Johnson

Natalie Luhrs

Foz Meadows

Abigail Nussbaum

Chuck Tingle

Best Fan Artist

Ninni Aalto

Alex Garner

Vesa Lehtimäki

Likhain (M. Sereno)

Spring Schoenhuth

Mansik Yang

 Best Series

The Craft Sequence, by Max Gladstone (Tor Books)

The Expanse, by James S.A. Corey (Orbit US / Orbit UK)

The October Daye Books, by Seanan McGuire (DAW / Corsair)

The Peter Grant / Rivers of London series, by Ben Aaronovitch (Gollancz / Del Rey / DAW / Subterranean)

The Temeraire series, by Naomi Novik (Del Rey / Harper Voyager UK)

The Vorkosigan Saga, by Lois McMaster Bujold (Baen)

The John W. Campbell Award for Best New Writer

Sarah Gailey (1st year of eligibility)

Mulrooney (1st year of eligibility)

Malka Older (2nd year of eligibility)

Ada Palmer (1st year of eligibility)

Laurie Penny (2nd year of eligibility)

Kelly Robson (2nd year of eligibility)

The SFWA 50th anniversary blog tour

Leave a comment

Nebula_Award_logoIn honor of the 50th anniversary of the Science Fiction (and Fantasy) Writers of America, the organization is hosting a blog tour on its front page leading up to Nebula Weekend. Robert Silverberg has written the first installment, and I have an appearance scheduled for 4/26/15. I’ll also post the blog here. In the meantime click here to read the posts. Enjoy!

%d bloggers like this: