Review of Integration (Ghost Marines Book 1) by Jonathan P. Brazee

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This novel is military SF, released by Semper Fi Press on 25 April 2018. It runs 242 pages and is the first novel of a series. The second novel, Unification (Ghost Marines Book 2), was released in August, 2018, and Fusion is forthcoming. Integration was a 2018 Dragon Award Finalist for Best Military Science Fiction or Fantasy Novel. Brazee’s novelette “Weaponized Math,” from The Expanding Universe, Vol. 3, was a 2018 Nebula finalist. This review may contain spoilers.

Leefe is Wyntonian, a non-human from Hope Hollow. When he is still a child, his home settlement is attacked by human slavers, and the community is saved by Imperial Marines. Three tri-years later, the new Emperor of the Empire announces a plan to integrate non-humans into the Imperial Marines. The now-adult Leefen, remembering his admiration for the soldiers who rescued him, volunteers to be one of the first group of Wyntonians to apply for induction. This move by the Emperor is clearly a political strategy to unify the Empire, and all the Wyntonians are warned about failing. In order to become a real marine, Leefen will have to pass testing to achieve induction, get through boot camp, and most importantly, overcome the racism of humans who spitefully call Wyntonians “ghosts.” Does he have what it takes?

The story details Leefen experiences of the induction and training process, then carries on into his service deployments, including a mission to rescue hostages and—coming full circle, a final one to rescue the helpless captives of outlaw slavers. The main theme is the importance of the process that integrates the raw recruits into a cohesive unit, and how they try to confront and defeat prejudice by finding common ground and kinship with humans.

This is a smooth read with a minimal action line. There’s a certain amount of violence, of course, but it’s tailored to support the main theme of unity. The characters are well-developed. The politics in the Empire is suggested, but not detailed. Leefen is offered a political post when his enlistment is up, but avoids it for the moment. There are plenty of interesting leads here that I expect will develop in book 2.

Four stars.

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Wrap-up of the World Fantasy Finalists

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That concludes the reviews of the 2018 World Fantasy Finalists. See the full list of finalists here. The awards will be presented the first week of November at the World Fantasy Convention in Baltimore.

As I mentioned in an earlier blog, there’s quite a bit of overlap between this and the Hugo and Nebula ballots, so I didn’t have to review that many works to finish up the list. There are actually two prior award winners here: “Welcome to Your Authentic Indian ExperienceTM,” by Rebecca Roanhorse (Apex 8/17) won both the Hugo and Nebula awards for Best Short Story, and “Clearly Lettered in a Mostly Steady Hand,” by Fran Wilde (Uncanny 9-10/17) won the Eugie Foster Award.

There’s pretty fair diversity in this list, not only among the authors, but also in the style and direction of the works–though not as much as in the Nebula ballot. I think. The short story category has a fairly serious diversity issue in that there were no men nominated at all. Best Novella leaned to men, and Best Novel was evenly split gender-wise. As is usual with recent SFF community awards, the nominees leaned strongly to women and Asians, with Hispanic/LatinX (typically at 0%) coming in way short of their US demographic. African Americans were maybe about right for their US demographic. Roanhorse complicates this issue, as she’s bi-racial, but I’ve included her only once in the Native American category below. The breakdown includes 43% POC and 57% white, which pretty much matches the demographics in the US. Here’s the breakdown:

Best Short Story  Best Novella

Best Novel  Overall

As usual, the ballot is completely dominated by American writers, but it does include minority, Greek and UK viewpoints. Of course, this group tends very strongly to the literary, and there’s not much of an adventure cast. There was a variety of publishers, but the big print magazines were shut out again.

Overall the subject matter looks somewhat more cheerful than my most recent reviews suggest. There is definitely a depressive and in some cases nihilist trend to the nominations, but a few works stand out with strong characters fighting for what they want and maybe, just sort of winning ground against the darkness. These brighter works include: The City of Brass by S.A. Chakraborty, The Strange Case of the Alchemist’s Daughter by Theodora Goss, Spoonbenders by Daryl Gregory and In Calabria by Peter S. Beagle. Chakraborty’s novel is dead serious, but the others are characterized by mild humor and social commentary that investigates the human condition fairly entertainingly.

Nothing here really caught my imagination, but the cliffhanger at the end of The City of Brass is going to worry me some. I’ll probably pick up The Kingdom of Copper when it comes out in January.

Best of luck to all the nominees!

Review of City of Brass by S.A. Chakraborty

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This novel is a finalist for the 2018 World Fantasy Award. It’s released by Harper Voyager and billed as The Daevabad Trilogy #1. It runs 569 pages. The next novel in the series, The Kingdom of Copper, should be available 22 January 2019. This review contains spoilers.

Nahri is a con woman in 18th century Cairo who poses as a healer and palm reader to cover her real work as a thief. She sets up a zar to sooth a crazed girl, and while singing some old songs, accidently summons Dara, a magical djinn warrior. The girl turns out to be possessed by an ifrit, which attacks Nahri. Dara carries Nahri away from Cairo and takes her to Daevabad, the hidden City of Brass. He introduces her to the djinn King Ghassan as the last of the powerful Nahid family, and the court seems to welcome her. It turns out there are nasty undercurrents in the politics, simmering resentments between the six djinn tribes and the half-breed shafit. Nahri struggles to learn the healing arts they try to teach her, and Ghassan thinks she’s at most a half-breed human, but still plans a political union by marrying Nahri to his oldest son Muntadhir. He sends his youngest, the scholarly subversive Prince Ali, as a tutor to win her over to the plan. When Dara hears of it, he tries to carry Nahri away again, but Ali interferes and they are caught trying to cross the magical lake that guards Daevabad. Dara is killed, Ali possessed and banished, and Muntadhir’s companion Jamshid badly wounded. Ghassan is determined the marriage will go on as planned. Can Nahri turn any of this to her advantage?

So, counter to the depressive trend in the WFA finalists this year, this is a romance and an intrigue. All these people are lying to each other, and political groups are plotting right and left. Daevabad is exotic, the details of the city life, the temples and the palace very well assembled. I didn’t have any problems visualizing the people, the creatures or the scenery–the author has done a lot of research. She’s also done a great job in blending tradition with modern sensibilities. The characters are slightly flat, but the story is more focused on the action and intrigue than on revealing their deepest inner thoughts. The reader is left to deduce a lot of what’s going on from their actions.

In case you can’t tell from the synopsis, this is a cliffhanger, as everybody is at risk at the end, and the political tides are still rising. Nahri mostly lets people push her around in this book, but her political faction didn’t abandon her over the marriage, so she’s now well placed to be a power player in the next novel. Without Dara and Ali, she’ll have to find other protectors.

On the negative side, the magical world here was a little too complex for me to keep up with the way I read the book, which was a piece here and a piece there. Politics in the city was fairly clear by the time I was done, but a lot of other creatures seem to be circling Daevabad, just waiting for some chance to get in. I didn’t get a clear idea of the motives or alignments there. One other note: this seems to be an unfortunate choice of title, as it’s apparently shared with a successful video game. That means a search for the book turns up mostly the game info instead. However, I guess Chakraborty’s fans can tell the difference.

Four and a half stars.

Review of Exit Strategy by Martha Wells

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This is the fourth novella in the series titled The Murderbot Diaries. It was released 2 October 2018 by Tor. This has been a highly successful series, including the Hugo and Nebula winner All Systems Red, followed by Artificial Condition and Rogue Protocol. A full length novel continuing the story is scheduled for release in 2020. This review contains massive spoilers.

At the end of Rogue Protocol, Murderbot has safely escaped Milu on Ship. Since Ship isn’t all that bright, it monitors Ship’s inputs as they approach HaveRatton Station. When Ship is directed to divert from its usual dock by Port Authority, Murderbot uses an evac suit to leave through the cargo module airlock and enters the station through another docked ship. The diversion turns out to be about a large security force waiting for some rogue SecUnit. Hm. Safely on its way, Murderbot checks the newsfeeds and finds that GrayCris has charged its owner Dr. Mensah with corporate espionage and that she is now missing. Intensive research suggests this is about the data Murderbot collected on Milu, and that she’s being held on TranRollinHyfa Station where GrayCris has its corporate headquarters. Murderbot uses an ID chip and a hard currency card it took from hired killers Gerth and Wilken and catches a fast passenger transport for TRH. Once there, it identifies a bond company gunship sitting off the station. Pulling a status report, it finds the ship has been refused dockage by the station, but a shuttle from the ship has docked. Drs. Pin Lee, Ratthi and Gurathin are on the station attempting to negotiate Mensah’s release. Can Murderbot get her out of GrayCris’clutches without getting caught itself? If so, then what?

This continues the story arc with the same great features of the other novellas. The world building is notably excellent, as are the characters. Because it’s written in first person, we have the advantage of Murderbot’s wonderfully entertaining viewpoint. Not only is it getting much better at impersonating a human, but I’m suspecting that “comm interface” component ART made up for it provides a lot of extra processing power. We’re also finally seeing why rogue SecUnits really are dangerous, as Murderbot casually hacks its way through the station’s protected systems while simultaneously outwitting GrayCris’ security force and carrying on an apparent love affair with Dr. Mensah (just like on the media shows). Once it’s trapped, the violence escalates, and it doesn’t want to shut the aggression down. Only Mensah’s tenuous hold on it keeps things together. There’s been a rising action line through the whole series, and this caps it off nicely.

On the not so great side, I’ve got some nits to pick with the whole story arc at this point. I suspect the series was written fairly quickly, as Wells has said it’s a short story that got out of control, and after the huge success of the first novella, she quickly got in gear to produce the rest. Tor was also in a hurry to follow up on the initial success, and went light on the editing. That means there are some inconsistencies in the content. 1) ART’s modifications included reducing Murderbot’s height by either one or two centimeters; we’re not sure which. 2) The sampling device that tried to capture Don Abene in Rogue Protocol snatched her helmet away, but later she has it again. 3) In Exit Strategy, the Preservation group plans not to mention Murderbot is a SecUnit so there will be no questions about citizenship, but somehow Mensah’s daughter knows. Also, the plan to produce a documentary (presumably what this series is) will also reveal this issue. Hello? 4) At the end of Exit Strategy, what happened to Murderbot’s projectile weapon? I can’t believe it left that behind, but it just sort of disappears. 5) At the end of Exit Strategy, was it struck by shrapnel or a projectile? It says both in different places. 6) In Exit Strategy, I didn’t quite believe the scenario that led to system failure. It seems like a processing overload would have just led to burnt out capacitors. Extending into a different system should be done with copied code, right? Like a virus? And that shouldn’t jumble up the original code, right? Somebody who knows about AI architecture help me out on this one.

Highly recommended. Five stars.

Review of Ka: Dar Oakley in the Ruin of Ymr by John Crowley

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This book is a finalist for the 2018 World Fantasy Award. It’s published by Saga and runs 465 pages. This review contains spoilers.

The narrator has recently lost his wife to illness and is dying himself. He finds a sick crow and nurses it back to health. They become friends and it tells him its history. The crow Dar Oakley calls the realm of the crows Ka, and that of humans Ymr. He also knows a realm of Other. Dar Oakley receives his name from a human girl he calls Fox Cap. The two of them go into Other to find Nothing, and Dar Oakley finds it but hides it for himself. Fox Cap cries and afterward dies, but then Dar Oakley finds he is immortal, always reborn. Humans have battles that provide carrion, and crows find they can encourage them to kill each other. Following a Saint, Dar Oakley is caught by a storm and blown to a New World, where the people are killed by a mass sickness brought from the Old World. There is a great War where the dead in blue and gray provide a huge feast, and crows become numerous because of the growing bounty. Dar Oakley becomes friends with poet Anna Kuhn, and later her son becomes a great crow hunter. Dar Oakley encourages the crow flock to attack him, and they are eventually successful against him. The narrator wants Dar Oakley to lead him and his housekeeper to the Other place of the dead. Will this plan be successful?

So, this book is about death. Crowley is a well-known stylist, and he gets points for creating meaning in the narrative. Still, I found this really hard reading. Because Dar Oakley is a bird, he is light-minded and in general all his observations are surface level. That means we get a lot about flocks and mating and chicks, and the meaning takes shape from the carrion events and from what the humans say.

It’s clear that Crowley did a lot of research on the topic of crows and their status as death birds. The lore in this narrative is sort of scary, and I think humans are lucky that crows aren’t any bigger than they are. On the other hand, the events that feed the crows don’t say anything much good about humans, either.

This one isn’t for the faint of heart.

Four stars.

Review of The Teardrop Method by Simon Avery

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This novella is a finalist for the 2018 World Fantasy Award, and the title piece for Book 4 of the TTA Novellas series, published in 2017. The British press TTA also publishes Interzone and Black Static. The book is dark fantasy and also contains the short story “Going Back to the World.” The novella is about 111 pages and the short story runs about 40. This review contains spoilers.

Krisztina Ligetti is a cult artist, a singer/songwriter living in Budapest who produced one hit album years ago and then had nothing else to follow up with. After her lover Alice dies, Krisztina begins hearing elusive music that turns out to be the songs of mortality from people around her. She collects songs for a new album one-by-one that become complete as people die. She reconnects with her father, a 60s pop star who has been diagnosed with cancer, and hears his song. The story darkens as Krisztina finds she’s being followed by a man in a porcelain mask. Tracing the song of a ballerina, she encounters the writer Rebeka, a serial killer with a similar gift who has no compunction about killing people to complete their stories. Rebeka wants her story. Can Krisztina find a way to survive?

This narrative has something of a sick feel, as it’s about winter and death and the extreme depths that people plumb to feed their creativity. The title refers to the method Krisztina uses to produce her songs, detailing the grief and pain that go into each one. It lingers over relationships, failures and bitter coffee. The imagery seems foremost, as it’s all about bright futures declining into eventual decay and death. There’s nothing left at the end but the songs.

On the not so great side, the narrative jumps around a bit and seems fixated on Alice’s death, while her character remains undeveloped and peripheral to the main story. The whole thing is about depressed people who need some joy in their lives. I’m also left wondering how Rebeka gets away with her murders. Although Krisztina sees her commit a murder and the man in the mask knows who she is, nobody reports this to the police. But then, I guess it’s not about the reality.

Three and a half stars.

Review of In Calabria by Peter S. Beagle

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This novella is a finalist for the 2018 World Fantasy Award. It was published by Tachyon and runs 174 pages. This review contains spoilers.

Claudio Bianchi is an aging farmer and sometimes poet in Calabria, Southern Italy. His farm is remote, generally visited only by the postman, and he’s gotten used to having no company but his own. That means it’s a surprise when a unicorn begins to build her nest under his chestnut tree. After a period of gestation, she drops a black colt. The secret gets out and suddenly news reporters, tourists, unicorn hunters and animal rights activists are trampling over Bianchi’s farm, looking for the mystery beasts. The unicorns are elusive, and eventually the horde of people thins, but then Bianchi gets a visit from a representative of the local crime syndicate. Bianchi refuses to sell the farm, which puts everything he has at risk, including his newly discovered love for the postman’s sister Giovanna. The crime syndicate ups the pressure, but there’s something no one has considered. Where is the male unicorn?

This story is character driven and is a positive, enjoyable read. It has a simple plot, and Beagle’s prose has a magical, Old World feel to it. Bianchi is a simple man who enjoys his wine, his cows, his cats and his poetry. We get a good feel for the farm and the old house, plus revelations about what made Bianchi the near recluse that he is. The best thing about this is the symbolism, though. As soon as we see that demure little unicorn on the front cover of the book, we know it’s going to be about sex, right? Bianchi is revitalized by his developing relationship with Giovanna, and the ending is very powerful. Beagle is a pro, after all.

On the not so great side, there’s not much in the way of action here—it’s not that kind of book. I didn’t come away with a good feel for the village, either, or the surrounding countryside. Also, there’s not much character development for anybody but Bianchi. Giovanna comes across fierce, but we don’t know anything much about her but that.

Four and a half stars.

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