Congrats to the 2019 World Fantasy Award Winners!

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Here’s something I meant to post a while back. I left a space for it and then didn’t get it posted. Since I’m running so far behind on it, I guess I should add some commentary to make reading it worthwhile.

First, the tie here in short fiction is interesting. This is a juried award, and there are 5 judges, which is supposed to mean there won’t be a tie. I read elsewhere that this was a unique situation, but actually there was a tie last year, too, in the Best Novel category. That means the results are a clue about how the judges come to a decision. It suggests that rather than blind ballot, the judges discuss the finalists and come to a consensus decision on who should be the winners. Not that this matters a whole lot, but it does offer some insight into their awards process. The end result ends up being fairly diverse, which suggests the judges took this into consideration.

Next, I don’t see much intersection between this award and the Dragons, even though the Dragons have 5 possibilities for a fantasy win. Presumably this is because the finalists in the Dragon’s didn’t submit to the (strongly literary) World Fantasy Award for consideration. I would have expected Little Darlings by Melanie Golding, for example, to compete well in the WFA.

Last, I’m glad to see Polk’s novel win a major award this year. Although her novel is low key and a fantasy romance, it still addressed some important social issues. I enjoyed her writing style, and I’ll try to get the sequel in the queue for a review when it’s released in February.

Interestingly, Barnes & Noble did a roundup of major awards (minus the Dragons) and pronounced The Calculating Stars: A Lady Astronaut Novel by Mary Robinette Kowal (Tor) the big winner this year with three awards, and Martha Wells and P. Djèlí Clark in a tie for second place with two awards each for Artificial Condition (Tor) and “The Nine Negro Teeth of George Washington” (Fireside Magazine). That means science fiction did somewhat better than fantasy this year in these particular awards.

Anyhow, for anyone who hasn’t seen the list, here are the WFA winners:

Best Novel: Witchmark by C.L. Polk (Tor.com Publishing)

Best Novella: “The Privilege of the Happy Ending“ by Kij Johnson (Clarkesworld 8/18)

Best Short Fiction (tie): “Ten Deals with the Indigo Snake” by Mel Kassel (Lightspeed 10/18) and “Like a River Loves the Sky” by Emma Törzs (Uncanny 3-4/18)

Best Anthology: Worlds Seen in Passing, by Irene Gallo, ed. (Tor.com Publishing)

Best Collection: The Tangled Lands by Paolo Bacigalupi & Tobias S. Buckell (Saga)

Best Artist: Rovina Cai

Special Award – Professional: Huw Lewis-Jones for The Writer’s Map: An Atlas of Imaginary Lands (University of Chicago Press)

Special Award – Non-Professional: Scott H. Andrews, for Beneath Ceaseless Skies

Sales!

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Happy Thanksgiving to all in the US!

I have to give myself a little pat on the back here, as I’ve been really productive this fall. I did some painting and made a decent profit at a local art show. I also got my butt in gear and submitted some stories, so now I’ve got sales that will be appearing in upcoming books, magazines, etc. Here’s the list, so please check them out!

“Zombie Love,” a short poem to appear in Liquid Imagination at the end of November 2019.

“The Investor,” a dark fantasy short story to appear in the anthology Afromyth2 from Afrocentric Books in 2020.

“The Mending Tool,” a steampunk erotica short story to appear in the anthology Sensory Perceptions from Jay Henge in 2020.

“Wine and Magnolias,” a lesbian romance short story to appear in Mischief Media: A Story Most Queer Podcast

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Review of Bloodwitch by Susan Dennard

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This book is fantasy and won the 2019 Dragon Award for Best Young Adult Novel. It is billed as #3 in the Witchland series, which I gather is fairly popular. It was published by Tor Teen in February of 2019 and runs 459 pages. This review contains spoilers.

Threadwitch Iseult (half the Cahr Awen), bloodwitch Aeduan and the child earthwitch Dirdra/Owl are traveling together, along with Owl’s giant bat Blueberry. They find a lot of dead people, and Aeduan is struck by arrows carrying a curse that saps his magic. They go to the city Tirla, hoping to find a healer. Aeduan visits the monastery and finds his father, the Raider King, now has a price on his head. Iseult encounters Prince Leopold, and Aeduan sends her and Owl with Leopold to the monastery, then goes to find his father, who is seeking the Cahr Awen. Unfortunately, the monastery is under siege from rebel insurgents. Iseult is taken prisoner, but escapes with Leopold and Owl as Aeduan is mortally wounded in the conflict. She rescues him and they escape into magical underground passageways. He stays behind to cover her escape and then finds he’s lost her. Iseult’s sister, truthwitch Safiya (the other half of the Cahr Awen), is a prisoner of Marstok Empress Vaness, who is trying to use her to uncover plots against the crown. She is guarded by Adders and asked to pronounce whether various officials are lying. When they are, they’re immediately slaughtered by the Empress. Habim comes to the court, and Safi thinks he’s come for her so doesn’t reveal his deceit, but he seems to have another plot afoot. Vivia’s brother, the missing Prince Malik, is taken prisoner by Esme. She tortures him and makes him collect threadstones that will allow her to build a better loom to weave lifethreads. He confronts Kullen and sacrifices himself to trap the Fury. Vivia is currently Queen-in-Waiting to the Nubrevnan throne, and she’s trying to develop the underground city so residents can move into it. Her father, the former king, is taking over the reins of government again as he recuperates, taking credit for her efforts and pushing her aside. Her favorite Captain Stacia disappears and Vivia is concerned. She travels to Marstok to meet with Empress Vaness, who gives her a magical scroll they can use to communicate with. When an attack seems to be coming to the city from the underground, Vivia makes an effort to rescue her people. Habim’s plot seems to be assassination of the Empress. A glamour covers a simultaneous naval assault, but Safi manages to rescue Vaness. They escape in a boat and go to the Origin Well where they enter into the underground and find Vivia and Iseult.

There are also some other characters I haven’t mentioned. If this sounds complex, that’s because it is. Part of the problem here is that I’ve dropped into the series pretty far into it, and I’m missing the background on the characters and situations that was developed in previous novels. On the positive side, these are all attractive people, and the world building seems pretty solid. The Witchlands map resembles Europe with the various kingdoms laid out around an inland sea, and the political and magical systems seem well defined. There’s a reasonable amount of text devoted to description, so readers can visualize what the world looks like and how the scenes take place.

On the not so positive side, there’s a reason you don’t see summaries in most of the reviews of this. It’s messy and feels hugely padded, with very little in the way of action lines or plot advancement. There’s no glossary or summary of what’s gone before, so some things just go unexplained. The narrative skips from character to character, and the internal dialog for the characters comes across like ADHD, skipping from childhood events to what they’re doing now to what they’re planning to do next, to what people are doing to them, to all the pain they’re suffering, to what they think might be happening, et cetra. About half way through, all this started to feel unpleasant to read.

Two and a half stars.

Congrats to the 2019 World Fantasy Award Finalists!

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The World Fantasy Convention where the award is presented takes place October 31 – November 3, 2019 in Los Angeles, CA. Two finalists in each category are chosen by previous convention attendees and the other three are added by judges. The panel of judges for 2019 is international, including: Nancy Holder, Kathleen Jennings, Stephen Graham Jones, Garry Douglas and Tod McCoy. This year there’s a noticeable overlap between the fiction categories here and the Nebula and Hugo finalists I’ve already reviewed. I’ll start up some reviews of the rest in the fiction categories right away. I don’t know if I’ll get to the anthologies and collections.

NOVEL
In the Night Wood by Dale Bailey (John Joseph Adams/Houghton Mifflin Harcourt)
The Mere Wife by Maria Dahvana Headley (MCD/Farrar, Straus & Giroux)
The Poppy War by R. F. Kuang (Harper Voyager)
Witchmark by C. L. Polk (Tor.com)
Trail of Lightning by Rebecca Roanhorse (Saga Press)

NOVELLA
The Only Harmless Great Thing by Brooke Bolander (Tor.com)
The Black God’s Drums by P. Djèlí Clark (Tor.com)
The Tea Master and the Detective by Aliette de Bodard (Subterranean Press)
The Privilege of the Happy Ending by Kij Johnson (Clarkesworld, Aug. 2018)
Beneath the Sugar Sky by Seanan McGuire (Tor.com)

SHORT FICTION
“The Ten Things She Said While Dying: An Annotation” by Adam-Troy Castro (Nightmare Magazine, July 2019)
“A Witch’s Guide to Escape: A Practical Compendium of Portal Fantasies” by Alix E. Harrow (Apex Magazine, February 2018)
“Ten Deals with the Indigo Snake” by Mel Kassel (Lightspeed, October 2018)
“The Court Magician” by Sarah Pinsker (Lightspeed, January 2018)
“Like a River Loves the Sky” by Emma Törzs (Uncanny Magazine, March-April 2018)

ANTHOLOGY
Sword and Sonnet, edited by Aidan Doyle, Rachael K. Jones, and E. Catherine Tobler (Ate Bit Bear)
The Book of Magic, edited by Gardner Dozois (Bantam Books US/HarperVoyager UK)
Best New Horror #28, edited by Stephen Jones (Drugstore Indian Press UK)
Robots vs. Fairies, edited by Dominik Parisien and Navah Wolfe (Saga Press)
Worlds Seen in Passing: Ten Years of Tor.com Short Fiction, edited by Irene Gallo (Tor.com)

COLLECTION
The Tangled Lands, by Paolo Bacigalupi and Tobias S. Buckell (Saga Press/Head of Zeus UK)
Still So Strange, by Amanda Downum (ChiZine Publications)
An Agent of Utopia: New & Selected Stories, by Andy Duncan (Small Beer Press)
How Long ’til Black Future Month? by N. K. Jemisin (Orbit)
Phantom Limbs, by Margo Lanagan (PS Publishing)

ARTIST
Rovina Cai
Galen Dara
Jeffrey Alan Love
Shaun Tan
Charles Vess

SPECIAL AWARD – PROFESSIONAL
C. C. Finlay, for F&SF editing
Irene Gallo, for Art Direction at Tor Books and Tor.com
Huw Lewis-Jones for The Writer’s Map: An Atlas of Imaginary Lands (University of Chicago Press)
Catherine McIlwaine for Tolkien: Maker of Middle-earth exhibition (The Bodleian Libraries at the University of Oxford)
Julian Yap, Molly Barton, Jeff Li, and James Stuart for Serial Box

SPECIAL AWARD – NON-PROFESSIONAL
Mike Allen, for Mythic Delirium
Scott H. Andrews, for Beneath Ceaseless Skies: Literary Adventure Fantasy
Lynne M. Thomas and Michael Damian Thomas, for Uncanny Magazine
E. Catherine Tobler, for Shimmer Magazine
Terri Windling, for Myth & Moor

Cover Reveal

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So, I’ve been traveling. Here’s a shout-out to Marge Simon and Bruce Boston, both great SFF writers and poets. We had lunch on Friday in Ocala under the shadow of Hurricane Barry.

Meanwhile I’m home for a couple of days, so I guess this is a good time for a cover reveal. I’ve had some older short stories available in different e-book collections for a while, but now these will be combined in trade paperback format so they’ll be available in bookstores. Watch for it August 1! Also, keep an eye out for future works.

Moonshadows Small

Review of Someday by David Levithan

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This is young adult fantasy romance novel published by Knopf and runs 392 pages. It follows Every Day and Another Day, novels with the same characters, a prequel “Six Earlier Days” and the short story “Day 3196.” The novel Every Day was a New York Times Bestseller and nominated for a Lambda Award. It was recently made into a motion picture which is also available for rent/purchase. This review contains major spoilers.

This novel picks up where Every Day leaves off. The protagonist, who calls themself A, is a non-binary consciousness that wakes in a different body each day. They fall in love with the girl Rhiannon, and as a result, reveal too much of themself. This leads to wild accounts of demon possession and the arrival of the fundamentalist Reverend Poole, who turns out to be an evil version of A. Scared by all this, A goes on the run. A means to leave everything behind. They delete their email address and flee the Northeast for the Denver area. But A is starved for affection, and when they find a message to them on Rhiannon’s Facebook page, they are drawn back to her like a moth to a flame. Once in contact, they find the evil and dangerous Poole (also known as X) is holding their friends hostage as a way to get to A. What can they do?

I was really taken by Every Day, which develops a lot of suspense at the end very suddenly, so I’ve been waiting a while for this sequel. It continues a lot of the strong points of Every Day. It’s clear Levithan is interested in the worth of every individual, and a lot of this is about respecting others and treating them well, regardless of who they are. A’s existence is dependent on stealing bodies, but they maintain very strict rules about respecting their hosts and trying to do their best not to make anyone’s life worse during the one-day possession. This novel develops that theme further, including an equality march on Washington D.C. where a lot of the action takes place. Definitely Levithan’s strongest point in this series is how he presents the lives of A’s hosts, a one-day glimpse of each, with all their joys and problems.

On the not so positive side, this doesn’t develop much angst, conflict, drama or suspense. Early in the book A goes through some tough hosts, but this issue clears up once they are back in the Northeast and reunited with Rhiannon. It’s clear that A has to do something about X, and A does come through at the end, but there’s no buildup in the action line to this point. There is a suggestion in the text that A might go over to the dark side, but events don’t support this or provide any discussion of the morality involved. Instead, the book continues to concentrate on the “everybody’s okay” equality theme to the point that it’s intrusive. As a result, Levithan can’t resist making X a sympathetic character. Someone has apparently told Levithan A needs to use the pronoun “they,” too, which leads to the usual grammatical muddle. And last, all these people eventually started to sound the same, which means the author gave up characterization to use his own voice instead.

This isn’t the thriller sequel I’d hoped for, but it is still a valuable book for kids struggling to deal with difference.

Three and a half stars.

Review of “If at First You Don’t Succeed, Try, Try Again” by Zen Cho

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This novelette is a finalist for the 2019 Hugo Awards. It is fantasy and was published on the B&N Sci-Fi and Fantasy Blog in November 2018. (Maybe a bit of competition for Tor.com?) Zen Cho is Malaysian and lives in England. She is also the author of the short story collection Spirits Abroad and the novel Sorcerer to the Crown. This review contains major spoilers.

Byam is an imugi. That means he’s an ugly, earthbound worm with the potential to be a glorious dragon if he could only become elevated enough. He spends his first thousand years in a cave, studying the Way and trying to improve himself. Finally he feels ready and begins his ascent to Heaven. However, he’s been distracted by an empty belly just recently and dined on some livestock, so the farmers curse at him, which drags him back down to earth. Byam comes up with a strategy for his second attempt at ascension. Hoping to win the acclaim of humans, he creates a beautiful dragon of cloud and light in the sky. However, the sailors below fail to recognize it as a dragon, and when he’s identified as only a worm, Byam falls to earth again. On the third attempt he’s interrupted by a female hiker taking a selfie, who catches him on her phone’s camera. Angered, he disguises himself as a human female and goes to her office, where he finds she is Dr. Leslie Han, an astrophysicist. He is charmed by her research, and they strike up an acquaintance that soon becomes a serious relationship on human terms. Byam manages to learn about human ways, and supports Leslie when she fails to get tenure, encouraging her to go to work for industry instead. Finally, she confesses she knows what he really is. The end of Leslie’s life comes too soon. Can Byam fulfill her final request?

Aww. This is a really sweet story about how the way others see us either pulls us down or elevates us to reach wonderful accomplishments. It’s full of love and humor and includes a hissy cat. What else can I say?

The only complaint I can come up with is that the lead-in to the relationship with Leslie seems long. I can see the reason for this, though—it’s to clearly establish how the anger and contempt of others pulls Byam down to earth at the moments he’s ready to become something exalted. Highly recommended.

Five stars.

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