Review of In Calabria by Peter S. Beagle

Leave a comment

This novella is a finalist for the 2018 World Fantasy Award. It was published by Tachyon and runs 174 pages. This review contains spoilers.

Claudio Bianchi is an aging farmer and sometimes poet in Calabria, Southern Italy. His farm is remote, generally visited only by the postman, and he’s gotten used to having no company but his own. That means it’s a surprise when a unicorn begins to build her nest under his chestnut tree. After a period of gestation, she drops a black colt. The secret gets out and suddenly news reporters, tourists, unicorn hunters and animal rights activists are trampling over Bianchi’s farm, looking for the mystery beasts. The unicorns are elusive, and eventually the horde of people thins, but then Bianchi gets a visit from a representative of the local crime syndicate. Bianchi refuses to sell the farm, which puts everything he has at risk, including his newly discovered love for the postman’s sister Giovanna. The crime syndicate ups the pressure, but there’s something no one has considered. Where is the male unicorn?

This story is character driven and is a positive, enjoyable read. It has a simple plot, and Beagle’s prose has a magical, Old World feel to it. Bianchi is a simple man who enjoys his wine, his cows, his cats and his poetry. We get a good feel for the farm and the old house, plus revelations about what made Bianchi the near recluse that he is. The best thing about this is the symbolism, though. As soon as we see that demure little unicorn on the front cover of the book, we know it’s going to be about sex, right? Bianchi is revitalized by his developing relationship with Giovanna, and the ending is very powerful. Beagle is a pro, after all.

On the not so great side, there’s not much in the way of action here—it’s not that kind of book. I didn’t come away with a good feel for the village, either, or the surrounding countryside. Also, there’s not much character development for anybody but Bianchi. Giovanna comes across fierce, but we don’t know anything much about her but that.

Four and a half stars.

Advertisements

Review of “Old Souls” by Fonda Lee

12 Comments

This short story is a finalist for the 2018 World Fantasy Award. It was published in the anthology Where the Stars Rise: Asian Science Fiction and Fantasy and runs about 8800 words. This review contains spoilers.

Not only does Claire remember her past lives, but she can read the past lives of others when she touches them. She has just had her 20th birthday and knows she has never seen her 21st. She visits a fortune teller, hoping for help, but finds the woman is a fraud. Pearl, a woman in the waiting room, follows her out of the business. Pearl has no past lives because she is one of the Ageless. She is searching for the soul of a man she knew in a previous life and she wants Claire to help her find him. Claire agrees, and is surprised to find the man is Kegan, her boyfriend Ethan’s brother. She lets Pearl know, and then finds Pearl has lied to her. Can Claire deal with Pearl’s deception? Can she break the pattern that has always taken her life before age 21?

This story is plot driven and moves along fairly smartly to a fairly violent climax. The characters are adequate, but not really deep, regardless that we know something about their past lives. Pearl’s deception isn’t a complete surprise because of foreshadowing. As Pearl says, everybody sets up a pattern. The details about student life add depth to the plot and the ending is emotionally satisfying.

On the not so great side, I’m not sure that satisfaction is justified. Claire thinks she’s broken her pattern, but it’s still a while before her 21st birthday, and Pearl is still out there. Maybe she’ll go on thinking she’s accomplished her goals, or maybe not. Also, what kind of pattern will Kegan follow now? We’re led to believe he’s an innocent, but could Pearl have been right about him?

Patterns aren’t really world-shaking, but you have to give Fonda credit for saying something a little different.

Three and a half stars.

World Fantasy Award Finalists 2018

Leave a comment

I’m running way behind on this, as the finalists were announced in July. Congrats to all who made the ballot! Winners will be awarded the first week in November at the World Fantasy Convention in Baltimore MD. I’ve already reviewed several of these works, as they’ve appeared on the Nebula or Hugo Ballots, but in the next few weeks, I’ll have a look at the others.

Best Novel
The City of Brass by S.A. Chakraborty (Harper Voyager)
Ka: Dar Oakley in the Ruin of Ymr by John Crowley (Saga)
The Strange Case of the Alchemist’s Daughter by Theodora Goss (Saga)
Spoonbenders by Daryl Gregory (Knopf; riverrun)
The Changeling by Victor LaValle (Spiegel & Grau)
Jade City by Fonda Lee (Orbit US; Orbit UK)

Best Long Fiction
The Teardrop Method by Simon Avery (TTA)
In Calabria by Peter S. Beagle (Tachyon)
Mapping the Interior by Stephen Graham Jones (Tor.com Publishing)
Passing Strange by Ellen Klages (Tor.com Publishing)
The Black Tides of Heaven by JY Yang (Tor.com Publishing)

Best Short Fiction
“Old Souls” by Fonda Lee (Where the Stars Rise: Asian Science Fiction and Fantasy)
“Welcome to Your Authentic Indian ExperienceTM“ by Rebecca Roanhorse (Apex 8/17)
“The Birding: A Fairy Tale” by Natalia Theodoridou (Strange Horizons 12/18/17)
“Clearly Lettered in a Mostly Steady Hand” by Fran Wilde (Uncanny 9-10/17)
“Carnival Nine”, Caroline M. Yoachim (Beneath Ceaseless Skies 5/11/17)

Review of the Clocktaur War by T. Kingfisher

Leave a comment

This two book fantasy series by T. Kingfisher (a.k.a. Ursula Vernon) includes The Clockwork Boys (2017) and The Wonder Engine (2018). This set appears to be self-published.Vernon appears as an award finalist fairly often for her shorter works, and generally the stories are good enough that I’ve been meaning to read more of her work, so here we are. This review likely includes spoilers.

The Dowager Queen is getting frantic, as an army of mechanical centaurs called Clockwork Boys is devastating her kingdom. Previous expeditions have been unsuccessful in dealing with the problem, so the queen commissions a squad of criminals to go after the creatures at their source. This includes Slate, a forger, Brenner, an assassin and her former lover, Sir Caliban, a demon-possessed knight, and the Learned Edmund, a scholar of the church. This motley crew (except Edmund) is outfitted with magical, flesh-eating tattoos and set off on a journey to perform the impossible in Anuket City. Can they live through actually riding horses? Can they stop the war? Destroy the Clockwork Boys?

The best thing about this series is the humor. There are plenty of snarky comments in general, especially from Brenner, as romantic interest starts to develop between Slate and Sir Caliban. I actually laughed out loud as Slate and Brenner resort to palliative drugs to alleviate the saddle weariness. The plot is character-driven, reasonably complex and moves along pretty smartly, as the crew deals with threats along the journey and picks up the gnole Grimehug. There’s enough imagery and world-building to make Anuket City, and especially the gray market, come alive. It all works out to a surprisingly reasonable conclusion, considering the apparent impossibility of the task.

On the not so great side, the humor eventually got to be a bit much, along with the suspension of disbelief. The tipping point for me was in book 2, and had to do with the gnoles, a race of creatures apparently employed in the city for menial labor. They’re treated as inferior, but Slate and Grimehug form an instant bond, maybe because she treats em with respect? Whatever, there’s enough here to indicate the gnoles have a complex society and should have an agenda of their own—this is an entirely different story. Meanwhile, I can’t see why this bunch of dustmops would be happy to serve Slate and her team just because they’re asked. Plus, they lighten the plot too much when it should be getting darker and more serious.

The world-building here seems to borrow a lot from Bujold’s Penric series, including the demon possession, the gods and the structure of the church. The artisan works in Anuket don’t quite fit in. Why aren’t they widely marketed? Why don’t we see them elsewhere? And finally, I wasn’t really surprised by the plot-twist involving Brenner—I just don’t know why the other characters didn’t see it.

Niggles notwithstanding, this was fairly enjoyable. Four stars for the humor.

Review of Third Flatiron Galileo’s Theme Park (Third Flatiron Anthologies Book 23)

Leave a comment

This is Anthology #23, a collection of thirteen speculative fiction short stories edited by Juliana Rew and Alex Zalben. It was issued June 15, 2018, and is offered as both an ebook and a paperback. There are 20 stories that range from space opera to SF to fantasy to horror, and there’s a flash humor section at the end.

Third Flatiron Anthologies is a pretty reliable series for smooth, touch-of-wonder stories, without the heavy political messages that sometimes turn up in SFF works. These offerings follow that standard, including everything from the quirky to the serious. Because Galileo is the theme this time around, the volume includes stories including space exploration, adventure, religion, and cosmology.

The anthology starts off strong with Alex Zaiben’s “And Yet They Move,” where a star surveyor finds herself lost in an ancient model. Ginger Strivelli’s gives us a memorable turn of phrase when she describes quantum physics as “a brick wall of sciency stuff” in “For the Love of Money,” a tongue-in-cheek look at colonization. “Vincenzo, the Starry Messenger” takes us to Florence in 1633, when Vincenzo, Galileo’s assistant, has a otherworldly experience with the telescope his master called the “starry messenger.” In “Signals” by Erica Ruppert, a woman is haunted by elusive music. Justin Short gives us a surreal and horrific image of a family marooned on a distant world in “Dispatches from the Eye of the Clown.” “And the Universe Waited” by Jo Miles is a heart-warming vision of mentorship and waiting.

On the less positive side, there are no hugely important ideas here. There is a variety of stories included, but they’re pretty much low-key and meant for light reading rather than deep thought.

Three and a half stars.

patreon

Wrap up of the 2018 Ideation Ratings

8 Comments

In his 2016 article for the Daily Beast, professor, writer and literary critic Tom Leclair says he thinks literary awards should be for works that are “the most ambitious and important nominee—a major work, wide-ranging in subject, ingenious in form, and profound in its treatment of…history.”

As a political battle has developed over the SFF awards in recent years, somehow this approach to the nominations seems to have gotten lost for both the Nebula and Hugo Awards. Some of the recent finalists and/or winners have been called out as political propaganda, having little or no substance beyond emotional appeal, poorly written, etc. Things have settled down a little this year, as the traditionalist have made their point and pretty much left liberals in control of these two awards. The finalists for the Nebulas, given by industry professionals, seems to have been a serious striving for diversity of genre as well as author in the nomination process–an effort to be fair. Still, the list of winners ends up with crowd appeal, but not much to contribute to the “literature of ideas.” Totaling up the scores, I’ve given the winners an average Ideation score of 2.05. The Nebula finalists included Autonomous, “a major work, wide-ranging in subject, ingenious in form, and profound in its treatment of…history,” but it didn’t win.

The differences between the Nebula and the Hugo finalist list mostly subtracted ideas and quality works rather than adding to them. I suppose this is something we can expect, as the Hugo finalists are elected by a close group of WorldCon members and their tastes are, for this reason, very limited. However, they did come up with the five star idea man, Kim Stanley Robinson. I may revisit this when the list of winners is available. Robinson won the Nebula the last time he put out a novel, but he didn’t even appear in the list of finalists this time. We’ll see how much the climate has changed since 2013.

I’m thinking Robinson may not win for the same reason Newitz didn’t win—his book is hard to read. It’s long, it’s got small print, and it’s full of economics. Nobody wants to deal with that anymore. I’m expecting WorldCon members are going to go for Scalzi or Jemisin instead.

Putting the Ideation Scale to Work – Rating the 2018 Hugo finalists

Leave a comment

If you’ve followed the last couple of blogs, you’ll know that I’ve developed an Ideation Scale to rate SFF stories as “the literature of ideas.” In this post, I’m going to have a look at the Hugo finalists. Since we have no winners at this date, I’ll just have to pick out the works I think stand out for their ideas. Here’s the scale:

1 Our heads are empty
2 Political message fiction
3 Rehash of common themes
4 Decent points here
5 World shaking ideas

Best Novel
The clear heavyweight here is New York 2140 by Kim Stanley Robinson. If I could squish this into the mold, I’d call it hard SF because Robinson has analyzed social, environmental and economic problems and offered real world solutions. It does lack engineers and clanking technology, though, so it’s a tough fit for what’s normally called hard SF. Still, the concepts are first rate, so this is the five star world-shaking-idea winner. None of the other finalists really stand out for ideas. I have to give Scalzi a mention for doing his homework on plausible science for The Collapsing Empire, but the story is a political intrigue without much in the way of different ideas. It scores an average 3.

Best Novella
We’re looking at the same list here as in the Nebula with only a couple of differences. I’ve already awarded “And Then There Were (N-One)” by Sarah Pinsker a three and a half. Binti: Home by Nnedi Okorafor gets a mention for being about racism and dealing with change. Again, three and a half. Down Among the Sticks and Bones by Seanan McGuire gets a mention for framing the conflict between good and evil as a battle between death by vampirism and life via STEM. Nothing earth-shaking but worth three and a half stars.

Best Novelette
More repeats of the Nebula list here. Again, I have to mention “Wind Will Rove” by Sarah Pinsker, which was about whether or not we need history and how we can be frozen by tradition into refusing innovation. It gets 4 stars.

Best Short Story
This is again very similar to the Nebula finalists. “Welcome to Your Authentic Indian ExperienceTM” is a political message, so it gets 2 stars. “Sun, Moon, Dust” by Ursula Vernon turns the usual epic fantasy message upside down, where the farmer refuses his chance to become a heroic warrior in order to tend to his crops. Three and a half stars.

Next, a wrap up of the ratings.

Older Entries

%d bloggers like this: