Review of “Clearly Lettered in a Mostly Steady Hand” by Fran Wilde

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This short story is a finalist for the 2018 Nebula Award, and was published in Uncanny Magazine.

The doorperson takes the dime of curious patrons. If she determines you are worthy, she will tell you how to open the panel and let you have a look and a souvenir. Past the Entrance is A Hallway of Things People Have Swallowed, A Radium Room, A Room of Objects That Are Really People, Our Curator’s Special Collection, A Room of Objects That Are Very Sharp, The Hall of Criminals and Saints and then the Exit. Can you get out of the exhibit whole and in once piece?

Nothing is clear in this story. The scenario sounds like Ripley’s Believe It or Not, a collection of the bizarre and unusual. There are whispers and giggles in the shadows, a few clues in the narrator’s account. She isn’t especially reliable, but we gather that the curator is missing and the freaks are now running the show and looking for revenge. Enter at your own risk.

Good points: I would guess this falls into the category of experimental lit. You have to study it, something like a puzzle, to put together things like comments about beautiful hands, sticky carpets and the taste of brine. It’s also very surreal and atmospheric, the prose creating images and sensory experiences something like an art installation.

Not so good point: This is pretty much just an experience, like an art installation. There’s not really a story here—no characterization, no setting, no plot, no conflict—only revelation. Because of the puzzle quality, it’s pretty opaque, too. There are a couple of events/situations in there that I can guarantee as pretty likely, but I’m not really sure.

Most likely appreciated by literary horror fans.

Three stars. It’s very literary, but I can’t recommend it as a story.


Review of The End of the Day by Claire North


I really liked Claire North’s WFA winner, so am looking at more of her books. This novel is fantasy. It was published in 2017 by Redhook/Orbit and runs 403 pages.

Charlie is humble and unassuming. He’s just taken a job as the Harbinger of Death, who mysteriously goes before, as a warning, a courtesy—we don’t know which. He often takes small gifts to particular people, chosen to have special meaning just for them. A few assignments are heartwarming. He meets an old woman, the last speaker of her language, helps a father and daughter who have lost their housing. Sometimes his experiences are more jolting and dangerous. He visits Lagos and finds that not only is Death rampaging through the world, but also the other figures of the Apocalypse—Famine, War and Pestilence. Meanwhile profit reigns and the Doomsday Clock ticks toward midnight. Can Charlie keep his sanity and his relationship with Emmi intact?

I really liked North’s last couple of novels. The thriller plot line kept things moving through a lot of bad stuff, and an upbeat ending made it all worthwhile. I can’t say that about this book. It moves slowly, has no structure and gets bogged down in depressing scenes of torture and death.

This is well-written; the characters and settings are well-developed. The book had something important to say—humanity is self-destructive, we’re all just a step away from oblivion, we need to be more thoughtful. However, I can’t say I enjoyed it. It presented warnings but no solutions, and not much in the way of hope.

Three and a half stars.

Review of “Bloodybones” by Paul F. Olson

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This novella was a finalist for the World Fantasy Award. It was published for the first time in the author’s collection Whispered Echoes.

David’s friend Amy disappears from her property at Vassey Point during a violent storm. David helps her father close up her home in the old lighthouse, but six months later, he’s drawn to return. He meets Amy’s sister Karen wandering on the property, and the two of them strike up an acquaintance. They begin reading through Amy’s journals, finding creepy things. Can they solve the mystery of what happened to her?

Good points: This is a psychological horror, a ghost story that takes shape as the supernatural closes down slowly but surely on the two protagonists. It’s very smooth and offhand, so I gather Olson is very practiced at this. It includes a lot of information from David (as the narrator) that gives us local color and background on Amy, Karen and the history of the point that’s led to its haunting. Also, I can see the film in my head. This is very cinematic.

Not so good points: The narrator’s casual, matter-of-fact tone keeps the events here from becoming really scary. It’s very white bread and traditional. The techniques for generating horror are fairly standard—enclosed spaces, violent storms, ghostly presences, etc. I appreciate Olson’s technique and subtlety, but this just shivered my nerves a little. It didn’t really scare me.

Four stars.

Still more shameless self-promotion!

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A while back I sold a story to Afromyth, an anthology from Afrocentric Books edited by J.S. Emuakpor. It looks like the e-book became available on December 9, and the paperback will soon follow. You can pick up a copy here. My story is “Death in Nairobi” about a Miami detective on holiday roped into investigating a local crime. Have fun reading!

Review of “Little Widow” by Maria Dahvana Headley


This short story was a finalist for the 2017 World Fantasy Award. It was originally published by Nightmare.

Natalie is the Littlest Wife of the Preacher, a cult leader in Miracle. She’s at a sleepover when the cult suicides and the compound goes up in flames. Along with her surviving widows Reese and Scarlet, she is adopted by the Stuart family, and starts school. When the carnival comes to town, the girls go to what looks like a strip show, but the woman in the skimpy costume turns out to be Valerie, an angel from heaven who has come to contact them. Valerie has the Preacher in a cage and the girls confront him. She has also brought a shipment of T-Rexs from heaven that she lets loose to take care of some mistakes on the Earth. The four of them escape in a crop duster.

Good points: This story takes on a serious subject, which is how girls and women are often mistreated in patriarchal religious cults. It also takes a jaundiced view of miracles in general that fuel this kind of cult. It’s features good characterization, as we get background on the girls. They’re immigrant children, which suggests the problem with human trafficking.

Not so good points: This has a touch of surrealism, as the story moves from what could be reality to clear unreality when the girls meet Valerie. At this point, it’s actually less interesting. I was hoping it would follow through on the dramatic opening. Instead, this looks like another attack on the patriarchy. There are no male characters that don’t leer, and all the women are avengers. Even the dinosaurs are all female. Also, I’m not sure what the pterodactyl is about.

Three stars.

More Shameless Self-Promotion: Tales of Blood and Squalor Release


Tales of Blood and Squalor
I recently sold a story called “The Offering” to a Dark Cloud Press anthology titled Tales of Blood and Squalor. My first horror sale, yah!

This will be available for sale at Amazon on November 20. There are 14 stories. From the Dark Cloud website, the description reads: “A novelist a tad too committed to realism in her craft, a tourist thirsting for blood, the king of a trailer park dungeon…” If you’re a horror fan, check it out!

Lee Allen Howard (Editor)‎
Joshua Bartolome
Lee Forsythe‎
Jay Seate
Sarah Gribble
Rob Francis
C. W. Blackwell
Rainie Zenith‎
James Edward O’Brien
Gab Halasz ‎
Bryan Dyke
Rachel Verkade
B. D. Prince
Lela E. Buis



I’ve sold a story called “The Offering” to a Dark Cloud Press anthology called Tales of Blood and Squalor. This is a landmark sale, as both the story and the anthology are horror. I just don’t do horror, but a little while back I got in this mood. So, my first horror sale. Yah, me!

I’ll post an update as publication becomes imminent.

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