Review of “The Last Novelist (or A Dead Lizard in the Yard)” by Matthew Kressel

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This short story is a finalist for the 2018 Nebula Award. It was published by

Reuth Bryan Diaso is an elderly novelist who is suffering from a fatal illness. He arrives on Ardabaab, where he hopes to finish his last novel before he dies. There he is discovered by Fish, a girl-child who becomes totally fascinated by what he is doing. He takes her on as an apprentice, showing her how he writes with a pen and paper, how to draw, and how he sets the type and prints his novels on a fabricated press. She is talented as an artist and begins a set of drawings to illustrate his novel. However, her mother finds out about the relationship and calls out Diaso as a predator. He is heartbroken, and his work on the novel falters. Will he ever see the child again? Will he finish the book before he dies?

Good points: This is artfully constructed. The narrative and characters are absorbing and the imagery is enjoyable. From the dead lizard at the beginning to the final resolution, we’re caught by Diaso’s story, where he putters with a story (mirroring his own?) and enjoys passing along a dying craft to one final young fan. There’s a nice tension in the plot when her mother intervenes, and a satisfying resolution. This is also metafiction, of course, about writing a novel. (I can see this could make it very popular with a group of writers, many of whom are no longer spring chickens themselves.) We get excerpts of the novel sandwiched within the narrative. We also get nostalgia about the old days when real writers used a pen and paper and real printers set type, got ink on their fingers and produced high-quality hardbound novels. We get magical world-building and bits of Yiddish dialect. The elephant in the room he’s addressed is how men can’t be friends with children anymore. The dead lizard is a really nice touch.

Not so good points: The world building produced some pretty fantastical effects. I really enjoyed the exotica, but it was a little jarring—breaking me out of the story for brief moments. I also thought this was a bit too overtly sentimental and a bit too meta for a general audience. I can’t complain too much, though, as it looks like Kressel is a publisher and editor as well as a writer. He may well be feeling what he wrote.

Four stars.


Review of “Carnival Nine” by Caroline M. Yoachim


This short story is a finalist for the 2018 Nebula Award. It was published in Beneath Ceaseless Skies.

Zee has a silver key in her back that the maker uses to wind her up every day. She has a strong mainspring and so a lot of energy. She lives in Closet City with her Papa, who never has any turns left over for adventure because he works so hard to help Granny and Gramps. When the carnival comes to town, Zee meets a carny boy named Vale. On her 200th day, she gets adult limbs and new paint on her face, and soon afterward Granny and Gramps wind down for the last time and are recycled. Since her Papa has only himself to take care of now, she leaves with Vale on carnival train 9 to make a life for herself as a carny. The two of them build a child they name Mattan, but the boy has a weak mainspring. Vale refuses to accept the child’s disability, so Zee takes Mattan back to her Papa in Closet City. Can she find a way to support her special needs child?

Good points: This is a very creative idea. I’m visualizing a toymaker somewhere with a whole village of windup dolls and model trains. The story, of course, takes us into the life of the dolls, limited as it is by the number of turns their mainsprings will hold. It has an inspiring message, as Zee gives up her dreams to care for her disabled child.

Not so good points: The world building here is limited, and I don’t end up with much of an idea of what the setting looks like. I gather there are carnivals on at least nine trains, houses for the dolls and recycling centers. Because of the limited background, the characters also tend to be flat. Mattan, especially has little personality because of his disability. Winding down is fairly matter-of-fact, and there’s not much investigation of the emotional issues behind the characters’ actions. True, these are dolls, but I’d like to understand their motivations, regardless.

Three and a half stars.

Review of Touch by Claire North

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I really enjoyed the World Fantasy Award winner The Sudden Appearance of Hope by Claire North, so I’ve looked up more of her books. She’s fairly prolific under a couple or three different pen names, thus providing me with a lot of future reading material. This book was published in 2015 by Hachette and runs 443 pages.

An assassin guns down Kepler’s host Josephine Cebula, and s/he jumps to another host and then another, realizing the assassin is after him/her. Not only is Kepler angry about Josephine, but the fact that the assassin is looking for the next host means he knows about Kepler’s ability to jump from person to person. Kepler follows the assassin onto a train and captures him, jumping into his body from that of an old man. When s/he has an opportunity to question the man, s/he finds a plot in motion to search out and kill others of his/her kind. Can Kepler stop the plot and revenge Josephine?

Good points: This is another winner. It’s basically a thriller plot about transmigration with a lot of added human interest material that develops the characters, describes their history and makes their world real for us. The chase moves from country to country and from big cities to small villages. On the way, it reveals the workings of an underground culture of beings with consciousness but no physical existence, who can possess a host with just a touch of skin against skin.

Possible not so good point: This is character oriented and moves slowly as a thriller. Likely it’s not for fans of heavy action plots. There were also a couple of instances where I thought the characters violated the rules of their existence, or not. It’s a minor logical hiccup, but not that serious.

Four and a half stars.

Congrats to the 2018 Nebula Finalists


Interestingly, more than one of the names repeat this year. Vina Jie-Min Prasad and Sarah Pinsker both appear in more than one category. This year, the Nebula Recommended Reading List did pretty much accurately predict that the top recommended stories would end up as finalists.

As is usual recently, the list leans heavily female. Here’s a quick diversity count, as well as I can figure it:
Best novel – 6 women, 1 man, 1 African American, 1 Asian
Best novella – 4 women, 1 man, 1 non-binary, 1 Asian, 1 Jewish
Best novelette – 2 women, 2 men, 1 trans, 2 LGBT, 1 Asian
Best short story – 4 women, 2 men, 2 Asian, 1 Native American, 2 Jewish

Four of 7 of the Best novel finalists come from Orbit, and 4 of 6 of the Best novella category come from, plus one of the novelettes and one of the short stories.

For those who have been keeping up with my blog, you’ll know I’m happy to see a Native American writer represented this year. Many congrats to all! Reviews to follow soon.

Best Novel

Amberlough by Lara Elena Donnelly (Tor)
The Strange Case of the Alchemist’s Daughter by Theodora Goss (Saga)
Spoonbenders by Daryl Gregory (Knopf; riverrun)
The Stone Sky by N.K. Jemisin (Orbit US; Orbit UK)
Six Wakes by Mur Lafferty (Orbit US)
Jade City by Fonda Lee (Orbit US; Orbit UK)
Autonomous by Annalee Newitz (Tor; Orbit UK 2018)

Best Novella

River of Teeth by Sarah Gailey ( Publishing)
Passing Strange by Ellen Klages ( Publishing)
And Then There Were (N-One) by Sarah Pinsker (Uncanny 3-4/17)
Barry’s Deal by Lawrence M. Schoen (NobleFusion Press)
All Systems Red by Martha Wells ( Publishing)
The Black Tides of Heaven by JY Yang ( Publishing)

Best Novelette

“Dirty Old Town” by Richard Bowes (F&SF 5-6/17)
“Weaponized Math” by Jonathan P. Brazee (The Expanding Universe, Vol. 3)
“Wind Will Rove” by Sarah Pinsker (Asimov’s 9-10/17)
“A Series of Steaks” by Vina Jie-Min Prasad (Clarkesworld 1/17)
“A Human Stain” by Kelly Robson ( 1/4/17)
“Small Changes Over Long Periods of Time” by K.M. Szpara (Uncanny 5-6/17)

Best Short Story

“Fandom for Robots” by Vina Jie-Min Prasad (Uncanny 9-10/17)
“Welcome to Your Authentic Indian Experience™” by Rebecca Roanhorse (Apex 8/17)
“Utopia, LOL?” by Jamie Wahls (Strange Horizons 6/5/17)
“Clearly Lettered in a Mostly Steady Hand” by Fran Wilde (Uncanny 9-10/17)
“The Last Novelist (or A Dead Lizard in the Yard)” by Matthew Kressel ( 3/15/17)
“Carnival Nine” by Caroline M. Yoachim (Beneath Ceaseless Skies 5/11/17)

Review of The Shape of Water by Guillermo del Toro


I know, I know. I’m late again with the film review. I hadn’t really noticed this one as it went by, but since there’s a big Oscar buzz, I figured I needed to get out there and see what the fuss was about. The film was written by Guillermo del Toro and Vanessa Taylor and directed by Guillermo del Toro. It has 13 Oscar nominations, another 84 award wins and 244 other award nominations.

Elisa Esposito is a cleaning woman at a secret Baltimore government facility in the early 1960s. She was a foundling with damaged vocal chords and is mute, plain and devastatingly lonely. Her only two friends are her neighbor Giles, an aging gay man, and Zelda, who looks after her at work. Colonel Richard Strickland brings a specimen to the lab—an amphibious humanoid creature captured in South America. He keeps the creature chained and uses a cattle prod to control it, leading to a violent encounter where he loses fingers. Called to clean up the mess, Elisa and Zelda find out about the creature. Elisa leaves food and makes friends with it, and when she hears the plan is vivisection, she enlists Giles and Zelda to help her free the captive. They successfully get it to Elisa’s apartment, and she plans to set it free when the canal gates open later in the month. While the creature is there, the two of them develop a closer relationship, including sex. Will Elisa be able to set the creature free? Will Strickland catch up to them?

I can see why this is in line for an Oscar. It’s a play on Creature from the Black Lagoon. It’s a beautifully made film, and the Academy seems to really like tributes to Hollywood’s past. Old film footage plays on the TV. There is a song and dance sequence where Elisa imagines herself a star. There’s sex. It has something of the feel of old fifties scifi where alien creatures wreak mayhem. There are Russian spies sneaking around. It’s also very inclusive, with disabled, gay, Hispanic and black characters.

Still, I don’t think this translates well. The script seems forced, and I can’t pull any meaning out of it that feels important. Elisa and Hoffstetler, the Russian spy, are sensitively played, and Del Toro makes an effort to develop Giles and Zelda as characters, but others are cardboard. Plus, it just doesn’t work for me. If Elisa can run away with her love, what kind of life would she have?

One thing the film does do successfully is display the attitude that “might makes right” in a glaring light. This used to be widely accepted, but is less so now, for good reason (think Nazi medical experiments). There is a lot of violence and abuse here. There is no appreciation from the military that the creature is intelligent. Everyone is caught in a cultural trap with no hope of salvation.

I don’t know what to think about this. Is it supposed to be postmodern? Kitsch?

Two stars for the logical failures. I almost left half way.

Rocket Stack Rank Site Predicts the 2018 Hugo Winners


For anyone who’s somehow not noticed, Rocket Stack Rank is a fairly new short fiction review site established by Greg Hullender and Eric Wong. The site posts short reviews and rankings of long and short fiction from major pro magazines and anthologies (no novels) during the year, and also compilations of how other reviewers rated the stories. The wrap-up at the end of the year shows three clear leaders for the Hugo Award, based on this system:

Best Novella – Nexus by Michael Flynn from Analog
Best Novelette – “A Series of Steaks” by Vina Jie-Min Prasad from Clarkesworld
Best Short Story – “The Martian Obelisk” by Linda Nagata from

In comparison, here’s what the Nebula Reading List predicts, based on the number of recommendations from SFWA members:

Best Novella – And Then There Were (N-One) by Sarah Pinsker from Uncanny Magazine
Best Novelette – “Small Changes over Long Periods of Time” by K.M. Szpara from Uncanny Magazine
Best Short Story (tie) – “Carnival Nine” by Caroline Yoachim from Beneath Ceaseless Skies and “Welcome to Your Authentic Indian Experience (TM)” by Rebecca Roanhorse from Apex Magazine

Interestingly, Nexus rated right at the bottom of the Nebula Reading List, and “A Series of Steaks” rated fourth in its category. I don’t see “The Martian Obelisk” on the Nebula list at all. Does this suggest a bias toward hard SF among reviewers? A bias toward fantasy among SFWA members?

The Locus poll results will be available soon, so I’ll have a look at those when they come out. A quick skim of the ballot right now shows no sign of Nexus or “Small Changes over Long periods of Time.” I wouldn’t expect they’d rate as write-ins.

Review of The Sudden Appearance of Hope by Claire North


This novel was the 2017 winner of the World Fantasy Award. It was published by Redhook/Orbit UK, and runs 468 pages.

Most people totally forget Hope Arden within a minute. This means she can’t hold a job or maintain any serious relationships, and she supports herself by being a world-class thief. Hope is affronted by a woman’s death in Dubai, and partially out of spite, steals the Chrysalis diamonds from the Princess Shamma bint Bandar at a party hosted by the Prometheus Corporation. Prometheus markets an app that recommends actions, purchases and treatments to achieve Perfection. Because of the power and reach of the corporation, Hope finds herself on the run. Allied with a darkweb terrorist called Byron, can she bring down Prometheus?

This is a very complex novel. It’s basically a thriller plot, where Hope and her various allies struggle against the powerful minions of the corporation. It’s also an indictment of our worship of celebrity and perfection, here summed up in the app that guides people in how to become rich and beautiful to the ultimate degree, while also making them slaves to the corporation—meanwhile the ordinary Hope remains invisible. Regardless of the thriller plot, Hope continually digresses into stream of consciousness inspection of her past and the failings of society around her. This includes several prominent cultures because of the multinational quality of the tale. Her eventual solution to the battle with Perfection isn’t simple, either, as Hope’s vulnerability and her emotional responses to the people she meets constantly affect her decisions.

Good points: It’s complex; it’s a thriller; it’s got a lot to say as a mirror for our society. There are some artful cliffhangers, beautiful images, great feelings of place and very complex and well-developed characters. The reader forms emotional bonds with these people.

Not so good points: It’s slow-moving because of all the digressions—I had a hard time getting started because of the pace. The thriller plot could have been a short story or a novella without all the asides, so it’s not the book for people who like fast, hard-hitting action.

I’m going to go five stars on this one. I was impressed.

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