Congrats to the 2019 Hugo Winners!

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Best Novel
The Calculating Stars, by Mary Robinette Kowal (Tor)
Record of a Spaceborn Few, by Becky Chambers (Hodder & Stoughton / Harper Voyager)
Revenant Gun, by Yoon Ha Lee (Solaris)
Space Opera, by Catherynne M. Valente (Saga)
Spinning Silver, by Naomi Novik (Del Rey / Macmillan)
Trail of Lightning, by Rebecca Roanhorse (Saga)

Best Novella
Artificial Condition, by Martha Wells (Tor.com publishing)
Beneath the Sugar Sky, by Seanan McGuire (Tor.com publishing)
Binti: The Night Masquerade, by Nnedi Okorafor (Tor.com publishing)
The Black God’s Drums, by P. Djèlí Clark (Tor.com publishing)
Gods, Monsters, and the Lucky Peach, by Kelly Robson (Tor.com publishing)
The Tea Master and the Detective, by Aliette de Bodard (Subterranean Press / JABberwocky Literary Agency)

Best Novelette
“If at First You Don’t Succeed, Try, Try Again,” by Zen Cho (B&N Sci-Fi and Fantasy Blog, 29 November 2018)
“The Last Banquet of Temporal Confections,” by Tina Connolly (Tor.com, 11 July 2018)
“Nine Last Days on Planet Earth,” by Daryl Gregory (Tor.com, 19 September 2018)
The Only Harmless Great Thing, by Brooke Bolander (Tor.com publishing)
“The Thing About Ghost Stories,” by Naomi Kritzer (Uncanny Magazine 25, November-December 2018)
“When We Were Starless,” by Simone Heller (Clarkesworld 145, October 2018)

Best Short Story
“A Witch’s Guide to Escape: A Practical Compendium of Portal Fantasies,” by Alix E. Harrow (Apex Magazine, February 2018)
“The Court Magician,” by Sarah Pinsker (Lightspeed, January 2018)
“The Rose MacGregor Drinking and Admiration Society,” by T. Kingfisher (Uncanny Magazine 25, November-December 2018)
“The Secret Lives of the Nine Negro Teeth of George Washington,” by P. Djèlí Clark (Fireside Magazine, February 2018)
“STET,” by Sarah Gailey (Fireside Magazine, October 2018)
“The Tale of the Three Beautiful Raptor Sisters, and the Prince Who Was Made of Meat,” by Brooke Bolander (Uncanny Magazine 23, July-August 2018)

Best Series
Wayfarers, by Becky Chambers (Hodder & Stoughton / Harper Voyager)
The Centenal Cycle, by Malka Older (Tor.com publishing)
The Laundry Files, by Charles Stross (most recently Tor.com publishing/Orbit)
Machineries of Empire, by Yoon Ha Lee (Solaris)
The October Daye Series, by Seanan McGuire (most recently DAW)
The Universe of Xuya, by Aliette de Bodard (most recently Subterranean Press)

Best Related Work
Archive of Our Own, a project of the Organization for Transformative Works
Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction, by Alec Nevala-Lee (Dey Street Books)

The Hobbit Duology (documentary in three parts), written and edited by Lindsay Ellis and Angelina Meehan (YouTube)
An Informal History of the Hugos: A Personal Look Back at the Hugo Awards, 1953-2000, by Jo Walton (Tor)
http://www.mexicanxinitiative.com: The Mexicanx Initiative Experience at Worldcon 76 (Julia Rios, Libia Brenda, Pablo Defendini, John Picacio)
Ursula K. Le Guin: Conversations on Writing, by Ursula K. Le Guin with David Naimon (Tin House Books)

Best Graphic Story
Monstress, Volume 3: Haven, written by Marjorie Liu, art by Sana Takeda (Image Comics)
Abbott, written by Saladin Ahmed, art by Sami Kivelä, colours by Jason Wordie, letters by Jim Campbell (BOOM! Studios)
Black Panther: Long Live the King, written by Nnedi Okorafor and Aaron Covington, art by André Lima Araújo, Mario Del Pennino and Tana Ford (Marvel)
On a Sunbeam, by Tillie Walden (First Second)
Paper Girls, Volume 4, written by Brian K. Vaughan, art by Cliff Chiang, colours by Matt Wilson, letters by Jared K. Fletcher (Image Comics)
Saga, Volume 9, written by Brian K. Vaughan, art by Fiona Staples (Image Comics)

Best Dramatic Presentation, Long Form
Spider-Man: Into the Spider-Verse, screenplay by Phil Lord and Rodney Rothman, directed by Bob Persichetti, Peter Ramsey and Rodney Rothman (Sony)
Annihilation, directed and written for the screen by Alex Garland, based on the novel by Jeff VanderMeer (Paramount Pictures / Skydance)
Avengers: Infinity War, screenplay by Christopher Markus and Stephen McFeely, directed by Anthony Russo and Joe Russo (Marvel Studios)
Black Panther, written by Ryan Coogler and Joe Robert Cole, directed by Ryan Coogler (Marvel Studios)
A Quiet Place, screenplay by Scott Beck, John Krasinski and Bryan Woods, directed by John Krasinski (Platinum Dunes / Sunday Night)
Sorry to Bother You, written and directed by Boots Riley (Annapurna Pictures)

Best Dramatic Presentation, Short Form
The Good Place: “Janet(s),” written by Josh Siegal & Dylan Morgan, directed by Morgan Sackett (NBC)
The Expanse: “Abaddon’s Gate,” written by Daniel Abraham, Ty Franck and Naren Shankar, directed by Simon Cellan Jones (Penguin in a Parka / Alcon Entertainment)
Doctor Who: “Demons of the Punjab,” written by Vinay Patel, directed by Jamie Childs (BBC)
Dirty Computer, written by Janelle Monáe and Chuck Lightning, directed by Andrew Donoho and Chuck Lightning (Wondaland Arts Society / Bad Boy Records / Atlantic Records)
The Good Place: “Jeremy Bearimy,” written by Megan Amram, directed by Trent O’Donnell (NBC)
Doctor Who: “Rosa,” written by Malorie Blackman and Chris Chibnall, directed by Mark Tonderai (BBC)

Best Editor, Short Form
Gardner Dozois
Neil Clarke
Lee Harris
Julia Rios
Lynne M. Thomas and Michael Damian Thomas
E. Catherine Tobler

Best Editor, Long Form
Navah Wolfe
Sheila E. Gilbert
Anne Lesley Groell
Beth Meacham
Diana Pho
Gillian Redfearn

Best Professional Artist
Charles Vess
Galen Dara
Jaime Jones
Victo Ngai
John Picacio
Yuko Shimizu

Best Semiprozine
Uncanny Magazine, publishers/editors-in-chief Lynne M. Thomas and Michael Damian Thomas, managing editor Michi Trota, podcast producers Erika Ensign and Steven Schapansky, Disabled People Destroy Science Fiction Special Issue editors-in-chief Elsa Sjunneson-Henry and Dominik Parisien
Beneath Ceaseless Skies, editor-in-chief and publisher Scott H. Andrews
Fireside Magazine, edited by Julia Rios, managing editor Elsa Sjunneson-Henry, copyeditor Chelle Parker, social coordinator Meg Frank, special features editor Tanya DePass, founding editor Brian White, publisher and art director Pablo Defendini
FIYAH Magazine of Black Speculative Fiction, executive editors Troy L. Wiggins and DaVaun Sanders, editors L.D. Lewis, Brandon O’Brien, Kaleb Russell, Danny Lore, and Brent Lambert
Shimmer, publisher Beth Wodzinski, senior editor E. Catherine Tobler
Strange Horizons, edited by Jane Crowley, Kate Dollarhyde, Vanessa Rose Phin, Vajra Chandrasekera, Romie Stott, Maureen Kincaid Speller, and the Strange Horizons Staff

Best Fanzine
Lady Business, editors Ira, Jodie, KJ, Renay & Susan
Galactic Journey, founder Gideon Marcus, editor Janice Marcus
Journey Planet, edited by Team Journey Planet
nerds of a feather, flock together, editors Joe Sherry, Vance Kotrla and The G
Quick Sip Reviews, editor Charles Payseur
Rocket Stack Rank, editors Greg Hullender and Eric Wong

Best Fancast
Our Opinions Are Correct, hosted by Annalee Newitz and Charlie Jane Anders
Be the Serpent, presented by Alexandra Rowland, Freya Marske and Jennifer Mace
The Coode Street Podcast, presented by Jonathan Strahan and Gary K. Wolfe
Fangirl Happy Hour, hosted by Ana Grilo and Renay Williams
Galactic Suburbia, hosted by Alisa Krasnostein, Alexandra Pierce, and Tansy Rayner Roberts, produced by Andrew Finch
The Skiffy and Fanty Show, produced by Jen Zink and Shaun Duke, hosted by the Skiffy and Fanty Crew

Best Fan Writer
Foz Meadows
James Davis Nicoll
Charles Payseur
Elsa Sjunneson-Henry
Alasdair Stuart
Bogi Takács

Best Fan Artist
Likhain (Mia Sereno)
Sara Felix
Grace P. Fong
Meg Frank
Ariela Housman
Spring Schoenhuth

Best Art Book
The Books of Earthsea: The Complete Illustrated Edition, illustrated by Charles Vess, written by Ursula K. Le Guin (Saga Press /Gollancz)
Daydreamer’s Journey: The Art of Julie Dillon, by Julie Dillon (self-published)
Dungeons & Dragons Art & Arcana: A Visual History, by Michael Witwer, Kyle Newman, Jon Peterson, Sam Witwer (Ten Speed Press)
Spectrum 25: The Best in Contemporary Fantastic Art, ed. John Fleskes (Flesk Publications)
Spider-Man: Into the Spider-Verse – The Art of the Movie, by Ramin Zahed (Titan Books)
Tolkien: Maker of Middle-earth, ed. Catherine McIlwaine (Bodleian Library)
There are two other Awards administered by Worldcon 76 that are not Hugo Awards:

Lodestar Award for Best Young Adult Book
Children of Blood and Bone, by Tomi Adeyemi (Henry Holt / Macmillan Children’s Books)
The Belles, by Dhonielle Clayton (Freeform / Gollancz)
The Cruel Prince, by Holly Black (Little, Brown / Hot Key Books)
Dread Nation, by Justina Ireland (Balzer + Bray)
The Invasion, by Peadar O’Guilin (David Fickling Books / Scholastic)
Tess of the Road, by Rachel Hartman (Random House / Penguin Teen)

John W. Campbell Award for Best New Writer
Jeannette Ng
Katherine Arden
S.A. Chakraborty
R.F. Kuang
Vina Jie-Min Prasad
Rivers Solomon

And the 1944 retro Hugos:

Best Novel
Conjure Wife, by Fritz Leiber, Jr. (Unknown Worlds, April 1943)
Earth’s Last Citadel, by C.L. Moore and Henry Kuttner (Argosy, April 1943)
Gather, Darkness!, by Fritz Leiber, Jr. (Astounding Science-Fiction, May-July 1943)
Das Glasperlenspiel [The Glass Bead Game], by Hermann Hesse (Fretz & Wasmuth)
Perelandra, by C.S. Lewis (John Lane, The Bodley Head)
The Weapon Makers, by A.E. van Vogt (Astounding Science-Fiction, February-April 1943)

Best Novella
The Little Prince, by Antoine de Saint-Exupéry (Reynal & Hitchcock)
“Attitude,” by Hal Clement (Astounding Science-Fiction, September 1943)
“Clash by Night,” by Lawrence O’Donnell (Henry Kuttner & C.L. Moore) (Astounding Science-Fiction, March 1943)
“The Dream-Quest of Unknown Kadath,” by H.P. Lovecraft, (Beyond the Wall of Sleep, Arkham House)
The Magic Bed-Knob; or, How to Become a Witch in Ten Easy Lessons, by Mary Norton (Hyperion Press)
“We Print the Truth,” by Anthony Boucher (Astounding Science-Fiction, December 1943)

Best Novelette
“Mimsy Were the Borogoves,” by Lewis Padgett (C.L. Moore & Henry Kuttner) (Astounding Science-Fiction, February 1943)
“Citadel of Lost Ships,” by Leigh Brackett (Planet Stories, March 1943)
“The Halfling,” by Leigh Brackett (Astonishing Stories, February 1943)
“The Proud Robot,” by Lewis Padgett (Henry Kuttner) (Astounding Science-Fiction, October 1943)
“Symbiotica,” by Eric Frank Russell (Astounding Science-Fiction, October 1943)
“Thieves’ House,” by Fritz Leiber, Jr (Unknown Worlds, February 1943)

Best Short Story
“King of the Gray Spaces” (“R is for Rocket”), by Ray Bradbury (Famous Fantastic Mysteries, December 1943)
“Death Sentence,” by Isaac Asimov (Astounding Science Fiction, November 1943)
“Doorway into Time,” by C.L. Moore (Famous Fantastic Mysteries, September 1943)
“Exile,” by Edmond Hamilton (Super Science Stories, May 1943)
“Q.U.R.,” by H.H. Holmes (Anthony Boucher) (Astounding Science-Fiction, March 1943)
“Yours Truly – Jack the Ripper,” by Robert Bloch (Weird Tales, July 1943)

Best Graphic Story
Wonder Woman #5: Battle for Womanhood, written by William Moulton Marsden, art by Harry G. Peter (DC Comics)
Buck Rogers: Martians Invade Jupiter, by Philip Nowlan and Dick Calkins (National Newspaper Service)
Flash Gordon: Fiery Desert of Mongo, by Alex Raymond (King Features Syndicate)
Garth, by Steve Dowling (Daily Mirror)
Plastic Man #1: The Game of Death, by Jack Cole (Vital Publications)
Le Secret de la Licorne [The Secret of the Unicorn], by Hergé (Le Soir)

Best Dramatic Presentation, Long Form
Heaven Can Wait, written by Samson Raphaelson, directed by Ernst Lubitsch (20th Century Fox)
Batman, written by Victor McLeod, Leslie Swabacker and Harry L. Fraser, directed by Lambert Hillyer (Columbia Pictures)
Cabin in the Sky, written by Joseph Schrank, directed by Vincente Minnelli and Busby Berkeley (uncredited) (MGM)
A Guy Named Joe, written by Frederick Hazlitt Brennan and Dalton Trumbo, directed by Victor Fleming (MGM)
Münchhausen, written by Erich Kästner and Rudolph Erich Raspe, directed by Josef von Báky (UFA)
Phantom of the Opera, written by Eric Taylor, Samuel Hoffenstein and Hans Jacoby, directed by Arthur Lubin (Universal Pictures)

Best Dramatic Presentation, Short Form
Frankenstein Meets the Wolfman, written by Curt Siodmak, directed by Roy William Neill (Universal Pictures)
The Ape Man, written by Barney A. Sarecky, directed by William Beaudine (Banner Productions)
Der Fuehrer’s Face, story by Joe Grant and Dick Huemer, directed by Jack Kinney (Disney)
I Walked With a Zombie, written by Curt Siodmak and Ardel Wray, directed by Jacques Tourneur (RKO Radio Pictures)
The Seventh Victim, written by Charles O’Neal and DeWitt Bodeen, directed by Mark Robson (RKO Radio Pictures)
Super-Rabbit, written by Tedd Pierce, directed by Charles M. Jones (Warner Bros)

Best Editor, Short Form
John W. Campbell
Oscar J. Friend
Mary Gnaedinger
Dorothy McIlwraith
Raymond A. Palmer
Donald A. Wollheim

Best Professional Artist
Virgil Finlay
Hannes Bok
Margaret Brundage
Antoine de Saint-Exupéry
J. Allen St. John
William Timmins

Best Fanzine
Le Zombie, editor Wilson “Bob” Tucker
Fantasy News, editor William S. Sykora (striken from ballot July 21)
Futurian War Digest, editor J. Michael Rosenblum
Guteto, editor Morojo (Myrtle R. Douglas) (added to ballot July 21)
The Phantagraph, editor Donald A. Wollheim
Voice of the Imagi-Nation, editors Jack Erman (Forrest J Ackerman) & Morojo (Myrtle Douglas)
YHOS, editor Art Widner

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Dragon Award Finalists 2019

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The Dragon Award final ballot is out, revealing the finalists. The awards will be presented the first week in September and there’s not much overlap with other awards. That means I won’t really be able to look at many of the finalists I’ve not already reviewed. I will try to review the fiction winners in September.

Interestingly, there does to be more intersection this year, which shows the fan groups that normally drive the Nebula and Hugo Awards are becoming more active in voting for the Dragon Awards. This is especially visible in the fantasy category. However, the Dragon still looks to be a heavily male-driven award.

Best Science Fiction Novel
Red Moon by Kim Stanley Robinson
Europe at Dawn by Dave Hutchinson
A Memory Called Empire by Arkady Martine
Record of a Spaceborn Few by Becky Chambers
A Star-Wheeled Sky by Brad R. Torgersen
Tiamat’s Wrath by James S.A. Corey

Best Fantasy Novel (Including Paranormal)
Lies Sleeping by Ben Aaronovitch
Deep Roots by Ruthanna Emrys
Spinning Silver by Naomi Novik
The Raven Tower by Ann Leckie
Foundryside by Robert Jackson Bennett
House of Assassins by Larry Correia

Best Young Adult / Middle Grade Novel
Sawkill Girls by Claire Legrand
Armageddon Girls by Aaron Michael Ritchey
The Pioneer by Bridget Tyler
Bloodwitch by Susan Dennard
Imposters by Scott Westerfeld
Archenemies by Marissa Meyer
The King’s Regret by Philip Ligon

Best Military Science Fiction or Fantasy Novel
Uncompromising Honor by David Weber
Order of the Centurion by Jason Anspach, Nick Cole
Marine by Joshua Dalzelle
The Light Brigade by Kameron Hurley
Sons of the Lion by Jason Cordova
A Pale Dawn by Chris Kennedy, Mark Wandrey

Best Alternate History Novel
Machines Like Me by Ian McEwan
Black Chamber by S.M. Stirling
The World Asunder by Kacey Ezell
Unholy Land by Lavie Tidhar
The Calculating Stars by Mary Robinette Kowal
The Iron Codex by David Mack

Best Media Tie-In Novel
Thrawn: Alliances by Timothy Zahn
Darkness on the Edge of Town by Adam Christopher
Big Damn Hero by James Lovegrove, Nancy Holder
Master & Apprentice by Claudia Gray
The Replicant War by Chris Kennedy
The Way to the Stars by Una McCormack

Best Horror Novel
We Sold Our Souls by Grady Hendrix
Little Darlings by Melanie Golding
Riddance by Shelley Jackson
100 Fathoms Below by Steven L. Kent, Nicholas Kaufmann
Zombie Airman by David Guenther
Cardinal Black by Robert McCammon

Best Comic Book
Black Hammer by Jeff Lemire, Dean Ormston, Dave Stewart
Saga by Brian K. Vaughan, Fiona Staples
Mister Miracle by Tom King, Tony S. Daniel
The Batman Who Laughs by Scott Snyder, Mark Simpson
Peter Parker: The Spectacular Spider-Man by Chip Zdarsky, Adam Kubert
Batman by Tom King, Tony S. Daniel

Best Graphic Novel
Berlin by Jason Lutes
On a Sunbeam by Tillie Walden
Hey, Kiddo by Jarret J. Krosoczka
X-Men: Grand Design – Second Genesis by Ed Piskor
I Am Young by M. Dean
Monstress Vol. 3 by Marjorie Liu, Sana Takeda

Best Science Fiction or Fantasy TV Series
Game of Thrones, HBO
Good Omens, Amazon Prime
The Umbrella Academy, Netflix
The Orville, Fox
Star Trek: Discovery, CBS All Access
Lucifer, Netflix

Best Science Fiction or Fantasy Movie
Spider-Man: Far From Home by Jon Watts
Alita: Battle Angel by Robert Rodriguez
Aquaman by James Wan
Avengers: Endgame by Anthony Russo, Joe Russo
Spider-Man: Into the Spider-verse by Bob Persichetti, Peter Ramsey, Rodney Rothman
Captain Marvel by Anna Boden, Ryan Fleck

Best Science Fiction or Fantasy PC / Console Game
Life is Strange 2 by Dontnod Entertainment
Apex Legends by Electronic Arts
World of Warcraft: Battle for Azeroth by Blizzard
Assassin’s Creed: Odysssey by Ubisoft
Red Dead Redemption 2 by Rockstar Games
Outer Wilds by Mobius Digital

Best Science Fiction or Fantasy Mobile Game
Reigns: Game of Thromes by Nerial
Elder Scrolls: Blades by Bethesda Softworks
Cyber Hunter by NetEase
Grimvalor by Direlight
Sega Heroes: Puzzle RPG Quest by SEGA
Harry Potter: Wizards Unite by Niantic, WB Games San Francisco

Best Science Fiction or Fantasy Board Game
Nemesis by Awaken Realms
Root by Leder Games
Cryptid by Osprey Games
Everdell by Starling Games (II)
Betrayal Legacy by Avalon Hill Games
Architects of the West Kingdom by Garphill Games

Best Science Fiction or Fantasy Miniatures / Collectible Card / Role-Playing Game
Fallout: Wasteland Warfare by Modiphius Entertainment
Magic: The Gathering War of The Spark by Wizards of the Coast
Keyforge: Call of the Archons by Fantasy Flight Games
Magic: The Gathering Ravnica Allegiance by Wizards of the Coast
Call of Cthulhu: Masks of Nyarlathotep Slipcase Set by Chaosium Inc.
Warhammer 40,000: Kill Team by Games Workshop

Review of John Wick, Chapter III: Parabellum

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I’m not sure you’d class this as speculative fiction, but we’ll go with that. It’s a neo-noir flick about a nebulous underground organization and features a lot of fight scenes. This follows the films John Wick (2014) and John Wick: Chapter 2 (2017). It’s directed by Chad Stahelski, and written by Derek Kolstad, Chris Collins, Shay Hatten and Marc Abrams. It stars Keanu Reeves as John Wick, Halle Berry as Sofia, Laurence Fishburne as the Bowery King, plus Mark Dacascos, Asia Kate Dillon, Lance Reddick, Anjelica Huston, and Ian McShane. Visual effects are provided by Method Studios, Image Engine and Soho VFX. This review contains spoilers.

Ex-hitman John Wick is the run after he is “excommunicated” by the High Table and a $14 million contract is put on his head. He goes from place to place asking for help, and is followed by a non-binary Adjudicator for the High Table, who extracts the organization’s vengeance on anyone who appears to have helped him. Wick calls on Sofia in Casablanca and she takes him to the desert where he meets an Elder who offers him a chance for reinstatement if he will kill Winston, manager of the Continental Hotel in New York City. Wick at first agrees, but then balks and makes a stand at the hotel. He and Winston prevail and Winston shoots him as a show of faith to the Adjudicator. Wick falls from the roof and is rescued by the Bowery King, who wants to start a war against the High Table.

There are three stand outs in this movie. The first, of course, is the fight choreography, as this is pretty much what happens, only briefly interrupted by conversations. Keanu Reeves seems to do most of his own stunt work, and Halle Berry gives is a serious try, which adds a lot to the authenticity. The action line and intensity escalate to the climax, followed by a slight twist when Wick gets shot. The second stand out is the visual style. Production moves to different venues as Wick looks for help, and as background, we’re treated to pouring rain, dark warehouses, pulsing nightclubs, desert dunes, and even a brief, atmospheric ballet performance. This artistry serves as a foil for the brutal fight scenes, and makes sure we have something to look at when they’re not fighting. The last stand out is the dogs. The film features Belgian Malinois, Belgian Shepherds and, of course, Wick’s pitbull, which he leaves with a dog sitter when things get brutal.

On the not so positive side, there’s nothing much but fight scenes here. Otherwise it’s pretty empty. Wick presents a lot of desperation and clings to memories of his dead wife and her puppy, but that doesn’t bring much to the film. The fight choreography was pretty decent, but eventually you catch people waiting to get hit or shot.

Three stars.

Cover Reveal

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So, I’ve been traveling. Here’s a shout-out to Marge Simon and Bruce Boston, both great SFF writers and poets. We had lunch on Friday in Ocala under the shadow of Hurricane Barry.

Meanwhile I’m home for a couple of days, so I guess this is a good time for a cover reveal. I’ve had some older short stories available in different e-book collections for a while, but now these will be combined in trade paperback format so they’ll be available in bookstores. Watch for it August 1! Also, keep an eye out for future works.

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Review of Someday by David Levithan

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This is young adult fantasy romance novel published by Knopf and runs 392 pages. It follows Every Day and Another Day, novels with the same characters, a prequel “Six Earlier Days” and the short story “Day 3196.” The novel Every Day was a New York Times Bestseller and nominated for a Lambda Award. It was recently made into a motion picture which is also available for rent/purchase. This review contains major spoilers.

This novel picks up where Every Day leaves off. The protagonist, who calls themself A, is a non-binary consciousness that wakes in a different body each day. They fall in love with the girl Rhiannon, and as a result, reveal too much of themself. This leads to wild accounts of demon possession and the arrival of the fundamentalist Reverend Poole, who turns out to be an evil version of A. Scared by all this, A goes on the run. A means to leave everything behind. They delete their email address and flee the Northeast for the Denver area. But A is starved for affection, and when they find a message to them on Rhiannon’s Facebook page, they are drawn back to her like a moth to a flame. Once in contact, they find the evil and dangerous Poole (also known as X) is holding their friends hostage as a way to get to A. What can they do?

I was really taken by Every Day, which develops a lot of suspense at the end very suddenly, so I’ve been waiting a while for this sequel. It continues a lot of the strong points of Every Day. It’s clear Levithan is interested in the worth of every individual, and a lot of this is about respecting others and treating them well, regardless of who they are. A’s existence is dependent on stealing bodies, but they maintain very strict rules about respecting their hosts and trying to do their best not to make anyone’s life worse during the one-day possession. This novel develops that theme further, including an equality march on Washington D.C. where a lot of the action takes place. Definitely Levithan’s strongest point in this series is how he presents the lives of A’s hosts, a one-day glimpse of each, with all their joys and problems.

On the not so positive side, this doesn’t develop much angst, conflict, drama or suspense. Early in the book A goes through some tough hosts, but this issue clears up once they are back in the Northeast and reunited with Rhiannon. It’s clear that A has to do something about X, and A does come through at the end, but there’s no buildup in the action line to this point. There is a suggestion in the text that A might go over to the dark side, but events don’t support this or provide any discussion of the morality involved. Instead, the book continues to concentrate on the “everybody’s okay” equality theme to the point that it’s intrusive. As a result, Levithan can’t resist making X a sympathetic character. Someone has apparently told Levithan A needs to use the pronoun “they,” too, which leads to the usual grammatical muddle. And last, all these people eventually started to sound the same, which means the author gave up characterization to use his own voice instead.

This isn’t the thriller sequel I’d hoped for, but it is still a valuable book for kids struggling to deal with difference.

Three and a half stars.

Review of A Dead Djinn in Cairo by P. Djèlí Clark

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This novella is alternate fantasy, is published by Tor.com and runs 46 pages. For anyone who is unfamiliar with Clark, he won the 2019 Best Short Story Nebula Award for “The Secret Lives of the Nine Negro Teeth of George Washington,” published in Fireside magazine. The same story is currently a finalist for the 2018 Hugo Award. This review contains spoilers.

This story takes place in an alternate Cairo in 1912. Fatma el-Sha’arawi is employed by the Ministry of Alchemy, Enchantments and Supernatural Entities, and works as a Special Investigator of disturbances between the mortal and otherworldly planes. She and her co-worker Inspector Aasim Sharif are called to work on a case where a djinn apparently committed suicide with an exsanguination spell, leaving odd glyphs and an angel feather behind. Following up on these clues, Fatma quickly encounters a plot that involves ghouls, assassins and angels, and seeks to replace this Creation with another one. Can Fatma save the world as she knows it? And what does she need to do about that saucy infidel Siti?

This is a nice little adventure story with a slightly bawdy, tongue-in-cheek humor. Although the style and humor detract some from character development, Fatma has some eccentricities that round her out as a real person. There’s a touch of steampunk here, as the city seems to run on clockwork technology. There was some excellent imagery in the description, and I’m also impressed by Clark’s facility with Muslim culture and mythology, even if this isn’t quite reality.

On the not so positive side, we might have saved the bawdy for a little later in the story instead of starting off with it. The dead naked djinn was something of a speedbump we had to get over in order to enjoy the rest of the narrative—which was completely unnecessary. The story was entertaining and stood very well without that.

Three and a half stars.

Review of Storm Cursed by Patricia Briggs

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This novel is urban fantasy, and number 11 in Briggs’ highly successful Mercy Thompson series. It’s published by Ace and runs 368 pages. Briggs also writes the Alpha and Omega series which is set in the same universe and uses some of the same characters. Although Briggs works mainly with these two series now, early in her career she also wrote more traditional fantasy novels which remain good bets for fantasy fans. This review contains spoilers.

Mercy Thompson is a Native American car mechanic, a shapeshifter and Coyote’s daughter. She has fallen for and gotten married to Adam Hauptman, previously her neighbor and alpha of the Columbia Basin werewolf pack. A few months back, Mercy made a public declaration that the pack would defend everybody within their territory. This made the Tri-cities seem like safe, neutral ground, and now there is a plan in work to set up meetings there so the government can negotiate with the dangerous Grey Lords of the fae, who have previously been sequestered on reservations. Adam’s security company is chosen to deal with preparations. Mercy gets a call from a local farmer and takes some of the pack out to deal with his goats that have turned zombie. After interviewing the farmer, she suspects the zombies were created by a black witch who first tried to lure the man’s son. Investigating, Mercy finds the witch is from the Hardesty family, a group who has also targeted the local witch Elizaveta, torturing and killing her family in an effort to create a coven. The investigation reveals that Elizaveta has also been practicing black magic. Can Mercy deal with the witches? The zombies? The government officials? And what is Coyote up to now?

Briggs is highly reliable, and this is more on the adventures of familiar characters her readers know and love. It’s warm, safe and inclusive. For all her tough exterior, Mercy has a lot of friends that are willing to step up and defend her, or even to help out when she gets into something over her head. Briggs creates strong characters, plus sticky relations and ongoing intrigues between the different factions, the werewolves, vampires, goblins, witches, Native American walkers, etc., etc. that inhabit the Tri-cities area. There’s always a strong element of romance, too, as Mercy and Adam are pretty taken with each other.

On the not so positive side, this was a little hard to get into. There’s no hook at all. It’s an ongoing narrative, and Briggs seems to pick up one novel where the last left off. But, for her readers, there’s a gap of a year or so where details of what happened in the last novel can get lost. Mercy eventually gets around to filling us in on recent events for her, but until we meet the goats, there’s only conversation to get us started on this story.

It’s another successful adventure for Mercy. Highly recommended for fans of urban fantasy.

Four stars.

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