Still more shameless self-promotion!

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Afromyth

A while back I sold a story to Afromyth, an anthology from Afrocentric Books edited by J.S. Emuakpor. It looks like the e-book became available on December 9, and the paperback will soon follow. You can pick up a copy here. My story is “Death in Nairobi” about a Miami detective on holiday roped into investigating a local crime. Have fun reading!

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Review of “Little Widow” by Maria Dahvana Headley

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This short story was a finalist for the 2017 World Fantasy Award. It was originally published by Nightmare.

Natalie is the Littlest Wife of the Preacher, a cult leader in Miracle. She’s at a sleepover when the cult suicides and the compound goes up in flames. Along with her surviving widows Reese and Scarlet, she is adopted by the Stuart family, and starts school. When the carnival comes to town, the girls go to what looks like a strip show, but the woman in the skimpy costume turns out to be Valerie, an angel from heaven who has come to contact them. Valerie has the Preacher in a cage and the girls confront him. She has also brought a shipment of T-Rexs from heaven that she lets loose to take care of some mistakes on the Earth. The four of them escape in a crop duster.

Good points: This story takes on a serious subject, which is how girls and women are often mistreated in patriarchal religious cults. It also takes a jaundiced view of miracles in general that fuel this kind of cult. It’s features good characterization, as we get background on the girls. They’re immigrant children, which suggests the problem with human trafficking.

Not so good points: This has a touch of surrealism, as the story moves from what could be reality to clear unreality when the girls meet Valerie. At this point, it’s actually less interesting. I was hoping it would follow through on the dramatic opening. Instead, this looks like another attack on the patriarchy. There are no male characters that don’t leer, and all the women are avengers. Even the dinosaurs are all female. Also, I’m not sure what the pterodactyl is about.

Three stars.

Review of “The Fall Shall Further the Flight In Me” by Rachael K. Jones

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This short story was a finalist for the World Fantasy Award. It was originally published in Clockwork Phoenix 5. The title (and maybe the idea) is taken from a George Herbert poem titled “Easter Wings.”

Ananda is an earthbound holy woman, attempting to rise through repentance and self-denial so she can carry prayers upward to the heavens. She eats only seed cakes and works in her thorny garden. In this way, she expects to eventually become thin enough, and light enough, to step into the air like her grandmother. One day one of the winged sky people falls into the garden, bringing a message. Ananda rescues the creature Sano and tends her wounds. Sano kisses her, and Ananda locks her in the hut. It takes a week to purge the defilement. It took Ananda’s grandmother 40 years to rise, and her mother failed in flight, but Ananda is already so light that she puts rocks in her pockets to keep herself grounded. Her mother discovers this, and then Sano in the hut. Can Ananda and Sano escape?

Good points: The best thing about this story is the creative idea. It seems to be surreal fiction about the clash of conflicting worldviews, as the sky people think earth is heaven and the earthbound think the sky is heaven. Neither can answer the prayers of the other. The imagery is excellent. I can’t find any overt political message here (as has been popular lately), but maybe this is a vote for harmony.

Not so good points: The surrealism thing makes this pretty nebulous. There’s not much plot–it’s mostly philosophy–and the little glimpse I got through the imagery seems to be about the extent of the world-building and characterization. Ananda’s grandmother has risen skyward, and somehow this has invoked an impending war? Hm. I ended up with a lot of questions.

I’ll give it extra points for the creativity. Four stars.

Review of DAS STEINGESCHÖPF by G.V. Anderson

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This is the short fiction winner of the 2017 World Fantasy Award. It was published by Strange Horizons.

In 1928 Herr Hertzel has recently been made journeyman, and the Schöpfers’ Guild has given him his first commission. Frau Leitner has written from Bavaria to request a small restoration. Hertzel makes the journey and finds Frau Leitner in a small village. She is an older woman with a bad cough, and she takes him to the piece that needs work, a Steingeschöpf housed in her attic. The piece’s name is Ambroise, and he was carved in Queckstein by the French Master De Loynes during the seventeenth century. Ambroise’s eyes are so deteriorated that he can hardly see to paint, and he shows other signs of decomposition, as well. Hertzel feels inadequate to restore a piece of this history, and he tries to refuse the job, but Frau Leitner talks him into it. There are dangers. The Queckstein dust can destroy the lungs and working it absorbs life and memory. Is Hertzel up to the task?

For anyone wondering, Steingeschöpf roughly translates as “stone creature” or “stone golem.” The imagery and characterizations here are first rate. You can smell the snow, and feel it crackle underfoot. Hertzel is a Jew in the years between the World Wars, and working the Queckstein reveals his story of love and loss. The tale also reveals the love between Ambroise and Frau Leitner, and how little time they have left. It’s a very touching story, without a lot of plot, but filled with subtle, understated emotional content. Recommended.

Four and a half stars.

World Fantasy Awards

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While I’ve been doing my own thing, the World Fantasy Awards have happened. Here’s the list of nominees. Many of these are the usual suspects, but I’ll try to do some reviews to fill out the rest of the fiction categories. Many congrats to the winners!

Novel
• Winner: The Sudden Appearance of Hope, Claire North (Redhook; Orbit UK)
• Borderline, Mishell Baker (Saga)
• Roadsouls, Betsy James (Aqueduct)
• The Obelisk Gate, N.K. Jemisin (Orbit US; Orbit UK)
• Lovecraft Country, Matt Ruff (Harper)

Long Fiction
• Winner: The Dream-Quest of Vellitt Boe, Kij Johnson (Tor.com Publishing)
• The Ballad of Black Tom, Victor LaValle (Tor.com Publishing)
• Every Heart a Doorway, Seanan McGuire (Tor.com Publishing)
• “Bloodybones,” Paul F. Olson (Whispered Echoes)
• A Taste of Honey, Kai Ashante Wilson (Tor.com Publishing)

Short Fiction
• Winner: “Das Steingeschöpf,” G.V. Anderson (Strange Horizons 12/12/16)
• “Our Talons Can Crush Galaxies,” Brooke Bolander (Uncanny 11-12/16)
• “Seasons of Glass and Iron,” Amal El-Mohtar (The Starlit Wood)
• “Little Widow,” Maria Dahvana Headley (Nightmare 9/16)
• “The Fall Shall Further the Flight in Me,” Rachael K. Jones (Clockwork Phoenix 5)

Anthology
• Winner: Dreaming in the Dark, Jack Dann, ed. (PS Australia)
• Clockwork Phoenix 5, Mike Allen, ed. (Mythic Delirium)
• Children of Lovecraft, Ellen Datlow, ed. (Dark Horse)
• The Best American Science Fiction and Fantasy 2016, Karen Joy Fowler & John Joseph Adams, eds. (Mariner)
• The Starlit Wood, Dominik Parisien & Navah Wolfe, eds. (Saga)

Collection
• Winner: A Natural History of Hell, Jeffrey Ford (Small Beer)
• Sharp Ends, Joe Abercrombie (Orbit US; Gollancz)
• On the Eyeball Floor and Other Stories, Tina Connolly (Fairwood)
• Vacui Magia, L.S. Johnson (Traversing Z Press)
• The Paper Menagerie and Other Stories, Ken Liu (Saga; Head of Zeus)

Artist
• Winner: Jeffrey Alan Love
• Greg Bridges
• Julie Dillon
• Paul Lewin
• Victo Ngai

Special Award, Professional
• Winner: Michael Levy & Farah Mendelsohn, for Children’s Fantasy Literature: An Introduction(Cambridge University Press)L. Timmel Duchamp, for Aqueduct Press
• C.C. Finlay, for editing F&SF
• Kelly Link, for contributions to the genre
• Joe Monti, for contributions to the genre

Special Award, Non-Professional
• Winner: Neile Graham, for fostering excellence in the genre through her role as Workshop Director, Clarion West
• Scott H. Andrews, for Beneath Ceaseless Skies
• Malcom R. Phifer & Michael C. Phifer, for their publication The Fantasy Illustration Library, Volume Two: Gods and Goddesses (Michael Publishing)
• Lynne M. Thomas & Michael Damian Thomas, for Uncanny
• Brian White, for Fireside Fiction Company

More Shameless Self-Promotion: Tales of Blood and Squalor Release

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Tales of Blood and Squalor
I recently sold a story called “The Offering” to a Dark Cloud Press anthology titled Tales of Blood and Squalor. My first horror sale, yah!

This will be available for sale at Amazon on November 20. There are 14 stories. From the Dark Cloud website, the description reads: “A novelist a tad too committed to realism in her craft, a tourist thirsting for blood, the king of a trailer park dungeon…” If you’re a horror fan, check it out!

Contributors:
Lee Allen Howard (Editor)‎
Joshua Bartolome
Lee Forsythe‎
Jay Seate
Sarah Gribble
Rob Francis
C. W. Blackwell
Rainie Zenith‎
James Edward O’Brien
Gab Halasz ‎
Bryan Dyke
Rachel Verkade
B. D. Prince
Lela E. Buis

The Legend of Guinevere

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In honor of the release of Tales of the Once and Future King by Superversive Press, I’m doing a background piece on my story in the anthology, “The Knight of Crows.” This is about Guinevere as a girl-queen, and the first encroachments of evil to bedevil her soul. This is just one contribution to a longer work. Look for the full tome available on Amazon.

Camelot is about perfection. The legend came together out of oral tradition, a tale of heroes that devoted their lives to defending Britain against the armies of evil. As Christianity came along, the legend absorbed these doctrines, becoming more and more about purity and the quest for the Holy Grail. This quest is about living your life properly, of course, and about trying to be perfect, but we all know how that goes. Bad things just happen to good people regardless.

In this case, the problem was falling in love. Guinevere the girl-queen is married to the perfect man. She has everything a woman could possibly want, but she falls in love with her husband’s best friend instead, the flawed but heroic Sir Lancelot. It’s uncertain in the tales about how this happens. Maybe it was engineered by the evil Morgan le Fay as a way to get to Arthur, and maybe it’s just the vagaries of the human heart, but whatever, it grows from the first tiny seeds to an obsession that extends through years and eventually grows so heated that it’s visible to everyone. At this point, the affair is a wedge set to crack the golden walls of Camelot into ruin. Arthur condemns Guinevere to death for adultery and goes to fighting his own knights, who see his distraction as a weakness and an opportunity to further their own ambitions. Guinevere escapes to a convent; Lancelot escapes to becomes a monk; Arthur wins his fight for the kingdom with the usurper Mordred, but is mortally wounded. The Lady of the Lake takes back the Sword Excalibur into her safekeeping. Fini. End. But will Arthur return in a different guise?

The interesting thing about the evolution of this legend is the way Guinevere became the central figure over a span of centuries. In the beginning, there was only the hero tales, and not much information about the queen—varying stories of her parentage and background, about how she came to marry the king. Stories of heroes are one thing, but they don’t tell us that much about the human condition. Fully developed, with Guinevere in place, we get to see how the quest for perfection is undermined by human nature and the inability to deal with our failings, our needs and the attractions of our darker side.

Tales of the Once and Future King from Superversive Press.

Contributors:
B Morris Allen
Bokerah Brumley
Lela E Buis
Katharina Daue
Jon Etter
Declan Finn
L Jagi Lamplighter
Anthony Marchetta (editor)
Mariel Marchetta (assistant editor)
K A Masters
R C Mulhare
Mandy Nachampassack-Maloney
Peter Nealen
Morgon Newquist
Victor Rodriguez
Matthew P Schmidt
Jonathan E Shipley
Justin M Tarquin
Joshua M Young
Ben Zwycky

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