Discrimination in the SFF community?

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A while back I made the comment that the major SFF awards seem to be discriminating against Hispanic/LatinX/Native American authors. In the past few years, it’s been easy to run down the list of nominees and see a good representation of African American, Asian and LGBTQ authors, with a sprinkling of Arabs, Pacific Islanders, etc. However, there’s been a consistent shortage of Hispanic/LatinX/Native American names in the nominations and in the Locus reviews and other reading lists that feed into the awards. This is in spite of the fact that Hispanics are the largest US minority, and combined with Native Americans, come in at about 1/3 of the population. Comments on the blog suggested that the issue was that the people who vote for the awards just don’t like the type of fiction those people write.

The lack of representation is no surprise. Despite the large numbers of Hispanics/Native Americans in the US population, they’re still highly marginalized and discriminated against in jobs, education, housing, immigration and lots of other areas. There’s really no shortage of accomplished writers within this group, so it makes you wonder what’s been going on in the publishing and awards systems to keep the Hispanic/LatinX/Native America authors so unrecognized. Now, we have a clear case of discrimination within the SFF community that suggests what might be going on.

Jon Del Arroz is Latino and, as such, falls clearly into the marginalized minority brown author-of-color category. Like many Hispanics, he apparently also falls on the moderate to conservative side of the political spectrum. His current publisher is Superversive Press, known for pulp type fiction, but also a publisher of fairly right leaning works.

Del Arroz posted a blog here about his experiences back in the spring. According to Del Arroz, he was initially promoted at local Bay area cons as a minority author, but found himself placed in panel discussions that were political and left-leaning, rather than about SFF or promoting books. Once his politics became known, says Del Arroz, then the discrimination started, based more on his ideas than his race.

In the late summer, Del Arroz was lumped with those “middle aged white dudes” after his nomination for the Dragon Awards. This was followed by a campaign in December 2017 to try to get the SFWA management to reject his application for membership. He’s also been banned from WorldCon.

So, are Hispanics/LatinX/Native Americans being excluded from the SFF community mainly because of their political views? Clearly Del Arroz thinks politics is currently trumping his marginalized minority status as a Latino. How does a socially conscious community reconcile this kind of behavior?

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Virtue Signaling: Weaponizing the System

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Recently I’ve been blogging about virtue signaling, which is publicly stating your opinions on moral issues in order to show your support. Social pressure to conform leads to “MeToo” reactions, and something worse called “groupthink.” In groupthink, no one really thinks critically about issues, but instead responds to the social pressures with knee-jerk, mindless reactions.

This makes virtue signaling a powerful tool in the political arena. In fact, the dependability of the reaction it provokes makes it easily weaponized. All you have to do right now to take someone down is to call them a racist or a sexual harasser. This trend has gotten so obvious in broader US politics that I can almost see powerful and manipulative Puppetmasters pulling the strings—a war back and forth—with attacks taking down Hollywood political donors, artists, senators, members of the press, anybody who influential and on the wrong side of issues. I’m sure these Puppetmasters are laughing all the while, as mindless groupthink lemmings attack one another, doing their work for them. Anybody who questions the process gets a dose of the same.

Roger Ailes and Bill O’Reilly were early casualties, and conspiracy theorists immediately speculated that Weinstein was payback. It’s pretty easy to dig up questionable actions over a man’s lifetime, but women are harder. Taylor Swift was attacked as a racist by someone claiming her songs contain white supremacist lyrics. Meryl Streep is currently under attack by anonymous posters that have appeared in Los Angeles, accusing her of knowing and keeping quiet about Weinstein—complicity, in other words. Morning-after remorse has produced calls for Al Franken to unresign, and led Tavis Smiley and Joe Scarborough to wonder publicly what’s behind the attacks. Meanwhile, the Trump administration deftly avoided accusations by taking down attorney Lisa Bloom.

Bringing the focus back to the SFF community, I think these same hazards have been working in the heavy polarization of relations. Don’t get me wrong. It’s definitely important to call out people who are actually sexually abusive and racist, but because of the weaponizing, it’s gotten to be important to look critically at the accuracy of the claims and question what might be behind them.

The most obvious example is Vox Day, of course. Articles and comments consistently claim he’s anti-diversity, while a look at his publications and award nominations show clearly that he likes Chinese SF and promotes minorities. Another recent attack, of course, has been on Rocket Stack Rank as racist and sexist because of their dislike of non-standard pronouns. Wasn’t it at one time questionable to attack reviewers? Another example is last year’s attack on horror writer David Riley for holding conservative political views. Still another is the attack on editor Sunil Patel (see also here) for apparently being a jerk, while accusers couldn’t come up with anything more than vague claims about sexual harassment.

There may be questionable issues at work in all these cases, of course. Anyone has the right to feel affronted and to complain, but shouldn’t we be looking at things a little more rationally?

More on Virtue Signaling vs. Independent Thinking

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In the last blog about social issues, I commented on David Gerrold’s essay ”Humanity’s R&D Department: Science Fiction.” where he discusses the requirement to virtue signal in order to preserve your reputation in the SFF community. My response was that this prevents independent thinking, or even any kind of reasonable discussion about the current direction of the publishing community. I also mentioned that it was an example of “groupthink” where a desire for conformity leads to dysfunctional outcomes. I’m sure a lot of people will disagree about this, so let’s look at some examples:

  • Readers recently complained on the Tor website about K. Arsenault Rivera appropriating Asian culture in her recently published novel The Tiger’s Daughter. This fell into silence when some more perceptive individuals pointed out that Rivera isn’t white. I gather that means it’s an attack that should be reserved for white people.
  • Writer Jenny Trout led a child rape and racism campaign against Fionna Man for writing a fantasy novel titled Thomas Jefferson’s Mistress about Thomas Jefferson and Sally Hemmings. The campaign succeeded in getting the book removed from book shelves, but then it turned out that Man is an activist African American woman writing about her own cultural history.
  • Speaking about the results, author N.K. Jemisin complained about the 2013 SFWA election in her Guest of Honor speech at the convention Continuum in Australia, “Imagine if ten percent of this country’s population was busy making active efforts to take away not mere privileges,” she said, “not even dignity, but your most basic rights. Imagine if ten percent of the people you interacted with, on a daily basis, did not regard you as human.” This seems like a stretch as an attack on the SFWA, but other people piled on regardless.
  • Generally virtue signaling provokes an avalanche of “me, too” responses, some of which can turn into vicious attacks like the one against Fionna Man. This is where the conformity problem comes into play. Everyone knows they need to publicly express certain views (as Gerrold pointed out), so once an issue is suggested, they pile on the opportunity to show their conformity. This is regardless of whether they have put any thought into whether the attack is justified or what effect it might really have in the long term. Some people really don’t care.

    Last year there was an argument at File770 where posters discussed freedom of expression and how it should be used to dictate morality. Posters apparently supported the idea that it’s fine to attack people regardless of the accuracy of your claims because this publicizes you own views (virtue signaling) and also indicates what views should be considered morally wrong and unacceptable to the public. This also assumes any injury done by the attack is socially advantageous because it will intimidate others who might be tempted to express the “wrong” views. There was no concern about what kind of personal damage this does to individuals who are erroneously attacked.

    Meanwhile, Ray Dalio, founder of Bridgewater Associates, says in his new book Principles: Life and Work that independent thinking is the most important principle for an “idea meritocracy” to rebuild our society in a better way. What should we do about that?

What If? Attacks on Rocket Stack Rank

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A furor erupted this week in SFF cyberspace about pronouns and how reviewer Greg Hullender of Rocket Stack Rank has made light of them. For anyone just tuning in, Rocket Stack Rank (RSR) is a review site run by Hullender and Eric Wong that provides brief reviews of stories eligible for the major SFF awards, including the Nebula, the Hugo, and presumably the Bram Stoker and other awards.

The site has received a lot of positive notice, and recently Hullender was tapped to serve on the Locus panel that feeds the major awards. In response, a group of SFF authors posted an open letter complaining about the pronoun issue and Hullender’s take on trans and non-binary characters in the reviews, also calling him a racist for good measure. Since I’m not trans or non-binary, I’m going to refrain from commenting on this. Everybody is entitled to their own feelings. However, I just wrote the last blog on virtue signaling, so I’m looking at this dust up through that lens.

Hullender promptly posted an apology to “all readers and authors we’ve harmed and offended.” This was judged unacceptable because he also wrote a response to the charges with evidence to demonstrate how they were questionable. Of course, it’s unsupportable to discriminate against people because of their race, gender or trans status, but what if this is actually about something else?

David Gerrold recently made some interesting comments at Amazing Stories. He basically says that members of the SFF community have to stand up and take sides in the progressive/conservative fight in order to save their reputations. This is troubling because it suggests you can’t just remain neutral. Instead, you have to take sides, and then to signal your virtue through word and action in order to be accepted in the community. So why are Hullender and Wong being attacked? Have they not done this properly?

The authors of the open letter think they’re insensitive racists. Hullender seems to think they‘re thoughtful progressives. So, are they posting discriminatory reviews, or are they just posting equal opportunity bad reviews for stories they don’t like?

Trans is the current cause célèbre. Is critiquing the stories not proper virtue signaling? What are members of the community expecting instead?

More on Fascism and Freedom of Speech

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I notice in the website’s analytics that this is a popular topic this month, so maybe I should add a few more blogs on the subject.

I’ve had something brewing since back in September, when you may remember that President Trump posted a gif of himself hitting Hillary Clinton with a golf ball. I was pretty busy that week, so didn’t sit down and listen to the usual hue and cry in the media. My impression was that the gif was sort of juvenile and a bit humorous. There’s a clear symbolism there, too, about Trump defeating the forces of liberalism in the recent election. It might not be very presidential to needle people like that, but all in all, I thought it was a pretty well done statement. Then on Sunday I had the TV playing and caught some of State of the Union, a show on CNN hosted that day by Dana Bash, where guest Ana Navarro made the comment that a six-year-old would be punished for this, so it shouldn’t be acceptable from Trump. The impression I got was that she thought Trump needed to be punished for it.

So, here we are back at the question of freedom of speech, and whether statements people don’t like should to be punished through the popular method of ganging up on the speaker or writer and shouting slurs. More recently, there’s been a move to punish unpopular speech with actual physical violence.

Reviewing what I’ve already said about the First Amendment, it only protects freedom of speech and freedom of the press (including symbolic statements and hate speech but not inciting to violence) from government censorship. It doesn’t provide any protection against consequences of speech in public forums or guarantee that statements will be accepted at all. Regardless, there is a popular expectation that everyone has a right to be heard. Some of this is supported by other legislation, such as whistle blower laws that protect people who alert the public to questions of safety, corruption, etc.

So why do people feel they need to punish some statements? When you look at the definitions of censorship, you’ll see that it’s often connected with moral judgments. In other words, people who are out there shouting slurs have made a decision that some ideas are dangerous to the moral fabric of our culture and need to be suppressed. Censorship is also used to protect a position of power, such as when a political interest group tries to suppress the opposition.

This kind of censorship is fascism. It used to be a popular technique of the politically far right, who were trying to protect the US from dangerous communist ideas. However, the pendulum has swung so it’s now often a tool of the left, which tries to frame unpopular ideas as sexist or racist in order to incite public opinion against the speaker or writer. Over the course of history, fascism has not shown up in a good light. Classic fails include Puritanism and the Nazi Party.

Besides that, I’m worrying about Ana Navarro’s child-rearing ideas. Who would punish a six-year-old for drawing silly cartoons?

Review of Shadowshaper by Daniel José Older

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This is an urban fantasy novel published in 2015 by Arthur A. Levine Books. It falls into the young adult category. A second in the series is available called Shadowhouse Fall, published in 2017. Older is a multi-award winner.

Sierra Maria Santiago is out of school for the summer and expecting to use the time to paint a mural on the stark concrete tower that overshadows her Puerto Rican neighborhood in Brooklyn. There she meets Robbie, who is of Haitian ancestry and also very talented in art. The two strike up a romance, and Robbie tells Sierra about a secret society of shadowshapers. This is a kind of traditional sorcery that Sierra’s family has been hiding from her, but during this summer a new power has risen to stamp out the shadowshapers. Can Sierra, Robbie and their friends take up the mantle of power and fight back?

Good points: This book hits on several teen issues including racism, body image and self-esteem problems, offering an inclusive message that everyone is okay and valued for who they are. It reaches out to black and Hispanic teens often overlooked in young adult literature, providing powerful characters that they can identify with. It supports the view that teens need to stand up against the traditional discrimination against persons with darker skin. There are also lesbian characters, included like everyone else.

Not so good points: I thought there were fairly serious logical failings in this book, and I wouldn’t have finished it if I weren’t reading to review it. With very little evidence, Sierra assumes who is behind the mayhem going on the neighborhood. Once she knows about the secret shadowshaper tradition, she blabs to all her friends on the train where random strangers can overhear the conversation. Without any kind of caution, she leads her friends in a war against demons, armed only with shovels and broomsticks. This plot just doesn’t hold water. Also, I don’t think it sets a good example for how budding sorcerers ought to conduct themselves.

We get glimpses of the neighborhood and quite a bit of street language, but not much of Puerto Rican or Haitian culture, or what it’s like to live in Brooklyn. The characters are fairly flat, and there’s also not much in the way of depth. I’d like to have seen the book investigate Sierra’s relationship with her mother, for example, or why her mother is so unsupportive.

I’ll give it a little for the teen issues.

Three stars.

Rebuttal of the 2016 Cecily Kane Fireside Article

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That finishes up reviews of all the short works from the Nebula Finalists. The novels will take me a little while longer to go through, but in the meantime, I’ll try to review some of the Rabid Puppies recommendations for the Hugo nominations. Next up will be John C. Wright’s short story “An Unimaginable Light.”

Meanwhile, I want to mention something that went by too fast for most people to catch—a rebuttal to last year’s analysis by Cecily Kane in Fireside Magazine that suggested anti-black racism was to blame for lower publication rates of black authors in SFF publications. The rebuttal, titled “Bias in Speculative Fiction,” was published at Medium. It criticized Kane’s statistical methodology and recommended a deeper study of structural bias against African American authors—but it was only online for a matter of hours. The authors (who prudently remained anonymous) were quickly labeled racists and withdrew the article after receiving threats. Luckily File 770 published a link to the Google cache file. Fireside also republished the article here.

A couple of main concerns of the authors were the use of the binomial distribution and US population figures in the Fireside statistical analysis. The binomial distribution predicts random events and the percent of African Americans in the US population says nothing about how many are writers. These issues should have stuck out to any critical readers, and I commented on them here at the time. Beyond what the rebuttal says about the statistical methods, submittal and publication are never random. That’s why magazine editors ask you to read the magazine before submitting. That way you don’t submit something that’s totally misaimed and waste everyone’s time (including your own).

Besides the methodology problems in Kane’s article, I have another concern now, which is that the review and rebuttal of Kane’s methodology was met with threats and bullying. There is a long tradition of rebuttal in the scientific community. It goes like this: Published scientific articles (such as those using statistics to suggest editing bias) are reviewed by readers, who are then encouraged to support progress by pointing out flaws in the science. This makes sure the community self-corrects. If rebuttals are shut down by threats and bullying, then how do we keep track of the true scientific facts? What if calling SFF editors racist is just pseudo-science?

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