This is a R-rated 2020 superhero film based on the DC Comics Birds of Prey, distributed by Warner Brothers Pictures. It’s the 8th installment of the DC Extended Universe and a sequel to Suicide Squad (2016). The film was written by Christina Hodson and directed by Cathy Yan. Stars include Margot Robbie, Mary Elizabeth Winstead, Jurnee Smollett-Bell, Rosie Perez, Chris Messina, Ali Wong and Ewan McGregor. This review contains spoilers.
Harley Quinn and her main squeeze, the Joker, have broken up. Harley is determined that its going to stick this time. She takes a room over Doc’s restaurant, cuts her hair, takes up Roller Derby and adopts a hyena instead of a dog. Things seem to be going well, and she continues to be her nasty self, until Gotham City seem to get the idea that the Joker really has abandoned her. Then all her past mis-deeds come home to roost. Suddenly a lot of people are trying to kill her in the most gruesome way possible. Meanwhile, child pickpocket Cassandra Cain steals a diamond containing the account numbers of the massacred Bertinelli crime family. Harley, captured by crime lord Roman Sionis, promises to get the diamond back if he will release and protect her. She finds Cassandra, but the girl has swallowed the gem. Harley steals a lot of X-Lax and holes up in her apartment with Cassandra. Doc sells her out, and then Harley sells out Cassandra. The Birds of Prey assemble. Can they rescue Cassandra and Harley from Sionis’ evil clutches?
The Birds of Prey are an all-female team consisting of Harley Quinn, Helena Bertinelli (Huntress), Dinah Lance (Black Canary), and Renee Montoya (Question). The film is narrated by Harley Quinn, who provides background on all the characters and how they have come to the present point. Sionis is a scary, evil man. Montoya is disrespected as a police officer, Bertinelli is avenging her family, and Lance is picked up by Sionis as his driver after Harley cripples his old one. This film moves right along. There’s a lot of decently well-choreographed action as Harley and team kicks ass amongst the various evil minions coming after them. The main point, of course, is that Harley doesn’t really need the Joker. She can deal with things herself, and she can ally with a great team of women instead, so they can help protect each other.
But, there are subthemes going on here. Beneath the kick-ass action choreography, Harley is a pretty sad creature. The whole thing makes me wonder (again) about what kind of value system DC is pushing. Harley postures and makes silly faces like always, but at this point she’s been rejected by someone she gave up her whole life for, so she’s broken. She goes through the motions of hurting people, stealing, cheating, lying, and selling out, but without the Joker’s protection, she’s now seeing the consequences of her actions and has to face how this makes her a terrible person. She makes a move toward redemption by assisting with Cassandra’s final rescue, but why would these other superheroes accept her into their team? I know Harley’s character is the standard for a born-this-way, petulant, willful anti-heroine, but there’s hardly any investigation of where she’s gone wrong or what she’s going to do about it, and no reason for these women to suddenly embrace her as one of their own. She’s also presented as fairly dumb. She’s supposed to have a doctorate degree, but she can’t spell “mercenary”?
So, are a bunch of young women going to identify with this awful value system? Or is it a promise of redemption for kids that act this way? I dunno. Also on the less positive side, there are lags in the action sequences. You can see the evil minions run up and wait for Harley to whack them.
Four stars.
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