This fantasy novelette is a finalist for the 2022 Nebula Awards. It was published by Uncanny Magazine 3-4/21. Yoachim is an established writer, a two-time Hugo and a five-time Nebula Award finalist. This review contains spoilers.
Mariko is half-Japanese and lives in Paris under the name Mari, where she works as a sometimes courtesan and model for the flourishing artist community of the late 1800s. The famous undead artist uses her as a model and they develop a relationship. Mari aspires to be an artist, too, but she hasn’t the money to buy paint, and her lowly paintings are obscured by the masterworks of the men working at that time. Eventually she feels the pinch of time, and asks her lover to make her undead. He acquiesces, and given time, Mari develops as an artist, even as her friends in the artist community begin to die off. She moves to the United States during the war years and marries, learns to put some of her own essence into every painting. The time comes when her paintings are displayed beside those of the masters. Her one-time lover comes to say good-bye, as he intends to fade into the mist for the last time, but Mariko continues.
This is a leisurely story that flows over at least a century of time as Mari experiences the heyday of the Impressionist movement. There are scenes with the models, sex with her lovers. These are apparently vampires who steal life force and not blood. The chapters are titled with paint colors and the story touches on the process of art in metaphor form, as well as including discussions and reference to real paintings and real models. We’re lift with a feeling of melancholy about what has passed away. There is brief mention of the Japanese internment during the war years, and Mariko’s dismay at the bombing of her mother’s home city of Nagasaki.
On the less positive side, Mariko has no background, and we hear nothing about her parents except that her mother is from Nagasaki. There’s never a glimpse inside Mari’s undead lover, only her interpretation of his moods, and only a passing mention life with her husband. Ths point is the art, I suppose, but I would have liked to spend more time with the characters. .
Four stars.
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