Review of The Teardrop Method by Simon Avery

3 Comments

This novella is a finalist for the 2018 World Fantasy Award, and the title piece for Book 4 of the TTA Novellas series, published in 2017. The British press TTA also publishes Interzone and Black Static. The book is dark fantasy and also contains the short story “Going Back to the World.” The novella is about 111 pages and the short story runs about 40. This review contains spoilers.

Krisztina Ligetti is a cult artist, a singer/songwriter living in Budapest who produced one hit album years ago and then had nothing else to follow up with. After her lover Alice dies, Krisztina begins hearing elusive music that turns out to be the songs of mortality from people around her. She collects songs for a new album one-by-one that become complete as people die. She reconnects with her father, a 60s pop star who has been diagnosed with cancer, and hears his song. The story darkens as Krisztina finds she’s being followed by a man in a porcelain mask. Tracing the song of a ballerina, she encounters the writer Rebeka, a serial killer with a similar gift who has no compunction about killing people to complete their stories. Rebeka wants her story. Can Krisztina find a way to survive?

This narrative has something of a sick feel, as it’s about winter and death and the extreme depths that people plumb to feed their creativity. The title refers to the method Krisztina uses to produce her songs, detailing the grief and pain that go into each one. It lingers over relationships, failures and bitter coffee. The imagery seems foremost, as it’s all about bright futures declining into eventual decay and death. There’s nothing left at the end but the songs.

On the not so great side, the narrative jumps around a bit and seems fixated on Alice’s death, while her character remains undeveloped and peripheral to the main story. The whole thing is about depressed people who need some joy in their lives. I’m also left wondering how Rebeka gets away with her murders. Although Krisztina sees her commit a murder and the man in the mask knows who she is, nobody reports this to the police. But then, I guess it’s not about the reality.

Three and a half stars.

Advertisements

Review of In Calabria by Peter S. Beagle

Leave a comment

This novella is a finalist for the 2018 World Fantasy Award. It was published by Tachyon and runs 174 pages. This review contains spoilers.

Claudio Bianchi is an aging farmer and sometimes poet in Calabria, Southern Italy. His farm is remote, generally visited only by the postman, and he’s gotten used to having no company but his own. That means it’s a surprise when a unicorn begins to build her nest under his chestnut tree. After a period of gestation, she drops a black colt. The secret gets out and suddenly news reporters, tourists, unicorn hunters and animal rights activists are trampling over Bianchi’s farm, looking for the mystery beasts. The unicorns are elusive, and eventually the horde of people thins, but then Bianchi gets a visit from a representative of the local crime syndicate. Bianchi refuses to sell the farm, which puts everything he has at risk, including his newly discovered love for the postman’s sister Giovanna. The crime syndicate ups the pressure, but there’s something no one has considered. Where is the male unicorn?

This story is character driven and is a positive, enjoyable read. It has a simple plot, and Beagle’s prose has a magical, Old World feel to it. Bianchi is a simple man who enjoys his wine, his cows, his cats and his poetry. We get a good feel for the farm and the old house, plus revelations about what made Bianchi the near recluse that he is. The best thing about this is the symbolism, though. As soon as we see that demure little unicorn on the front cover of the book, we know it’s going to be about sex, right? Bianchi is revitalized by his developing relationship with Giovanna, and the ending is very powerful. Beagle is a pro, after all.

On the not so great side, there’s not much in the way of action here—it’s not that kind of book. I didn’t come away with a good feel for the village, either, or the surrounding countryside. Also, there’s not much character development for anybody but Bianchi. Giovanna comes across fierce, but we don’t know anything much about her but that.

Four and a half stars.

Review of “Old Souls” by Fonda Lee

12 Comments

This short story is a finalist for the 2018 World Fantasy Award. It was published in the anthology Where the Stars Rise: Asian Science Fiction and Fantasy and runs about 8800 words. This review contains spoilers.

Not only does Claire remember her past lives, but she can read the past lives of others when she touches them. She has just had her 20th birthday and knows she has never seen her 21st. She visits a fortune teller, hoping for help, but finds the woman is a fraud. Pearl, a woman in the waiting room, follows her out of the business. Pearl has no past lives because she is one of the Ageless. She is searching for the soul of a man she knew in a previous life and she wants Claire to help her find him. Claire agrees, and is surprised to find the man is Kegan, her boyfriend Ethan’s brother. She lets Pearl know, and then finds Pearl has lied to her. Can Claire deal with Pearl’s deception? Can she break the pattern that has always taken her life before age 21?

This story is plot driven and moves along fairly smartly to a fairly violent climax. The characters are adequate, but not really deep, regardless that we know something about their past lives. Pearl’s deception isn’t a complete surprise because of foreshadowing. As Pearl says, everybody sets up a pattern. The details about student life add depth to the plot and the ending is emotionally satisfying.

On the not so great side, I’m not sure that satisfaction is justified. Claire thinks she’s broken her pattern, but it’s still a while before her 21st birthday, and Pearl is still out there. Maybe she’ll go on thinking she’s accomplished her goals, or maybe not. Also, what kind of pattern will Kegan follow now? We’re led to believe he’s an innocent, but could Pearl have been right about him?

Patterns aren’t really world-shaking, but you have to give Fonda credit for saying something a little different.

Three and a half stars.

Review of “The Birding: A Fairy Tale” by Natalia Theodoridou

5 Comments

This story is a finalist for the 2018 World Fantasy Award in the short fiction category. It was published in Strange Horizons December 2017, and it runs fairly long at about 8400 words. This review includes spoilers.

Maria is stuck in Athens when the plague strikes. She is 23-weeks pregnant and her elderly father is infected. Taking him with her, she sets off, trying to make it home to Thessaloniki and her husband Simos. There have been riots and the power grid is down. There are birds everywhere. The roads are choked with abandoned cars, and eventually she can’t make any more progress on the highway. Maria leaves her father in the car and goes out foraging for food. She sets birds free that are trapped indoors, finds a shopping cart to load her father into. She meets Elena, another uninfected woman, and the two of them join forces, traveling toward Maria’s home while her father slowly turns into a bird. When they get to the house, it’s empty. Simos has gone to Athens to look for her. Maria is attacked and injured by an infected person, loses the baby. She wants to continue the fairy tale, but can she?

This leans heavily to the surreal, and there’s not much in the way of plot. Elena calls it the “zombie apocalypse but with birds.” The story is very strong on imagery and dwells on words that describe collectives of birds. There are long blocks of Maria’s observations and memories, interwoven with a narrative to her unborn child where she tries to somehow turn the end of civilization into a fairy tale. It did hold my interest until the end, and amazingly, the ending felt uplifting.

On the not so positive side, some readers might feel this is a total waste of time. It’s all about the experience.

Three and a half stars for the artistic effect.

World Fantasy Award Finalists 2018

Leave a comment

I’m running way behind on this, as the finalists were announced in July. Congrats to all who made the ballot! Winners will be awarded the first week in November at the World Fantasy Convention in Baltimore MD. I’ve already reviewed several of these works, as they’ve appeared on the Nebula or Hugo Ballots, but in the next few weeks, I’ll have a look at the others.

Best Novel
The City of Brass by S.A. Chakraborty (Harper Voyager)
Ka: Dar Oakley in the Ruin of Ymr by John Crowley (Saga)
The Strange Case of the Alchemist’s Daughter by Theodora Goss (Saga)
Spoonbenders by Daryl Gregory (Knopf; riverrun)
The Changeling by Victor LaValle (Spiegel & Grau)
Jade City by Fonda Lee (Orbit US; Orbit UK)

Best Long Fiction
The Teardrop Method by Simon Avery (TTA)
In Calabria by Peter S. Beagle (Tachyon)
Mapping the Interior by Stephen Graham Jones (Tor.com Publishing)
Passing Strange by Ellen Klages (Tor.com Publishing)
The Black Tides of Heaven by JY Yang (Tor.com Publishing)

Best Short Fiction
“Old Souls” by Fonda Lee (Where the Stars Rise: Asian Science Fiction and Fantasy)
“Welcome to Your Authentic Indian ExperienceTM“ by Rebecca Roanhorse (Apex 8/17)
“The Birding: A Fairy Tale” by Natalia Theodoridou (Strange Horizons 12/18/17)
“Clearly Lettered in a Mostly Steady Hand” by Fran Wilde (Uncanny 9-10/17)
“Carnival Nine”, Caroline M. Yoachim (Beneath Ceaseless Skies 5/11/17)

The Continuing Feminization of Major SFF Awards?

6 Comments

If anyone noticed, all four of the 2017 Nebula fiction winners were women. In 2016 William Ledbetter was the single male winner in the novelette category. In 2015 all the winners were women. In 2014 Jeff VanderMeer was the single male winner in the novel category. In 2013 all the winners were women. You have to go back to 2012 to find equity, when Kim Stanley Robinson and Andy Duncan won in the novel and novelette categories and Nancy Kress and Aliette de Bodard won in the novelette and short story categories. At least the 2017 Nebula finalists indicated an effort toward sexual diversity, as the list included at least one man in each category, with the total ending up at 5/25 or 20%.

For the 2018 Hugo, only the novel category has even the possibility of a male winner. In 2017 all the Hugo winners were women. Same for 2016. 2015 was a weird year, when No Award won two of the categories and Liu Cixin and Thomas Olde Heuvelt won the other two. You have to go back to 2014 to find equity, where Charles Stross won the novella category and John Chu won the short story category, while Ann Leckie won in the novel category and Mary Robinette Kowal won for the best novelette. For the 2018 Hugos this year, the number of men in the list of finalists is 2/24 or just 8%.

In 2017 the World Fantasy Award short and long fiction winners were all women. Same for 2016. In 2015, the winners were all men, and in 2014 there was a mix of 2 women and 1 man. You’ll never get equity in this one, as there are only three categories.

I’ve not done a statistical analysis, but just looking at the results, especially for the Nebula and Hugo Awards, suggests a definite trend for female winners. Last year I noticed a flurry of articles about the triumph for diversity in the awards because of all female winners in the face of continued prejudice, etc., but this year I haven’t seen much of that type comment, although one article did note that women had dominated “yet again.” Instead, the remarks seemed to be more about racial diversity and Jemisin’s third win in a row.

So, can I gather from this result that there’s a certain discomfort growing about the continued domination of women in the awards? Even Jemisin might be getting suspicious. She didn’t bother to show up to collect her third Nebula, apparently preferring to stay home and write on her current project instead.

In the early years of the science fiction awards, men always dominated, of course. So, why are men suddenly writing so poorly? Clearly this isn’t just a problem with white men, since in 2017 Asian, Hispanic, black and Native American men didn’t measure up, either. So, why not? Why is what the women wrote so much better?

patreon

Review of Touch by Claire North

Leave a comment

I really enjoyed the World Fantasy Award winner The Sudden Appearance of Hope by Claire North, so I’ve looked up more of her books. She’s fairly prolific under a couple or three different pen names, thus providing me with a lot of future reading material. This book was published in 2015 by Hachette and runs 443 pages.

An assassin guns down Kepler’s host Josephine Cebula, and s/he jumps to another host and then another, realizing the assassin is after him/her. Not only is Kepler angry about Josephine, but the fact that the assassin is looking for the next host means he knows about Kepler’s ability to jump from person to person. Kepler follows the assassin onto a train and captures him, jumping into his body from that of an old man. When s/he has an opportunity to question the man, s/he finds a plot in motion to search out and kill others of his/her kind. Can Kepler stop the plot and revenge Josephine?

Good points: This is another winner. It’s basically a thriller plot about transmigration with a lot of added human interest material that develops the characters, describes their history and makes their world real for us. The chase moves from country to country and from big cities to small villages. On the way, it reveals the workings of an underground culture of beings with consciousness but no physical existence, who can possess a host with just a touch of skin against skin.

Possible not so good point: This is character oriented and moves slowly as a thriller. Likely it’s not for fans of heavy action plots. There were also a couple of instances where I thought the characters violated the rules of their existence, or not. It’s a minor logical hiccup, but not that serious.

Four and a half stars.

Older Entries

%d bloggers like this: