I enjoyed The Freeze Frame Revolution, so I thought I’d try a couple of Watt’s older novels. Blindsight is Book #1 of the Firefall Series. It was released by Tor in October 2006 and runs 294 pages. It is seriously hard SF and was a finalist for the Hugo Award in 2007. This review contains spoilers.

In 2082 a mysterious array circles the Earth and flashes, seemingly taking readings of some kind. Then an old space probe picks up a signal from a distant comet. Earth sends out fresh probes, then mounts an expedition, sending a live crew of transhumans on the ship Theseus to investigate. They include a super-intelligent vampire recreated by paleogenetics, a linguist with multiple personalities, and a combat specialist, a biologist and a synthesist augmented with electronic implants. There are other crew in ship’s storage in case of loss. The ship’s AI bypasses the comet and follows the signal to the Oort Cloud, where the crew wakes from hibernation to find a gas giant too small to ignite into a star, orbited by some massive artifact under construction. They board the artifact and take “samples” of the alien life forms, bring them back to Theseus and try to analyze their biology, intelligence and use of language. Quickly they find themselves under a terrifying counterattack. Can they destroy the alien artifact? Get word of what they’ve found back to Earth?

I’ve been asking for science fiction with more ideas. So, here it is. The plot in this novel mainly serves as a vehicle for theme and discussion, and the main theme seems to be alienness. Our protagonist is Siri Keeton, the synthesist, who lost half his brain to a childhood illness and had it replaced with electronics. He experiences no emotion and has no feel for real social interactions, mimicking behavior patterns instead. The other crew members are also radically different from baseline humans, and the aliens on the artifact are orders of magnitude different. We get some character development as background for the crew, but this serves mainly to point out the pressures and results of transhuman advancement. There is also an ongoing discussion on the nature of intelligence and consciousness.

Negatives: The worst problem here is with readability. The plot is actually very thin for the length of the novel, and Watts fills up the pages mostly with description and discussion. This makes the narration very dense and the story hard to get into. There’s no fun or adventure here; it’s all very cerebral, nihlist and disturbing–I had higher hopes for the future of humanity. Watts tends to belabor the points, too, forcing the characters to come to them in successive stages. As he points out in the acknowledgements, these are hardly warm, fuzzy characters, either, which makes it hard to care about what he’s saying. He gets points for brilliance in the ideas, but loses audience on the execution.

Four stars.