This is a hard SF novelette published by Amazon Original Stories in September of 2019, part of the Forward Collection, also edited by Blake Crouch. (Let’s hear it for self-actualization!) Crouch is best known as the author of the Wayward Pines Trilogy. The story runs 75 pages, and this review contains spoilers.

Maxine is a non-playing character in a video game from WorldPlay. She’s meant to die in every play, but something goes wrong with the code, and she starts to behave erratically, exploring her environment and fighting back against the killers. Game-developer Riley pulls Max’s code out of the game and starts to develop her as a separate AI. After a while, Riley becomes obsessed with the process of creation, neglecting real world relationships and eventually falling in love with Max. She makes plans to embody the AI in a human-like chassis and to give her appropriate values, but what if Max has ambitions of her own?

This is based on a 2010 thought experiment called Roko’s Basilisk. Proposed by user Roko on the Less Wrong community blog, this scenario uses decision theory to show that powerful AI could be expected to turn on humans that imagined the creation but did nothing to bring the AI into existence. It’s called a “basilisk” because just hearing the argument puts you at risk of identification and torture from the hypothetical AI.

On the positive side, this is very character driven. Riley and Max seem very real, and side players like Brian, owner of the company, and Meredith, Riley’s wife, put in strong appearances. Riley spent most of the story ungendered, but Brian calls her “bitch” about three-quarters of the way through, revealing that she is female. The setting here is a little nebulous, as part of this takes place virtual reality and the rest in some apparent near future that is poorly defined and is possibly another layer of virtual reality. The game Max comes from is set in a place that looks like Brian’s coastal estate, and the story has a circular structure, as it both begins and ends at the estate. There’s a sudden twist near the end that should be predictable if you’ve been following the foreshadowing—we just don’t have the details until the end. And of course, I love the basilisk idea. Am I in trouble now for reading this book?

On the less positive side, leaving Riley ungendered until near the end felt like the author was playing games with the reader. I spent a bunch of imagination visualizing her as a nerdy little guy with a beard and big glasses, so I had to rework the whole thing when I got to the “bitch” comment. My personal opinion is that descriptions like this should happen early in the story so I don’t get annoyed, or else just not happen at all so I can go on visualizing the nerdy little guy. There were minor inconsistencies: Riley uses a device called a Ranedrop that sounds like the successor to a phone, but then mentions she has an “old-school phone.”

Four stars.