Congrats to the Nebula winners!

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Best Novel: The Stone Sky by N.K. Jemisin (Orbit US; Orbit UK)
Best Novella: All Systems Red by Martha Wells (Tor.com Publishing)
Best Novelette: “A Human Stain” by Kelly Robson (Tor.com 1/4/17)
Best Short Story: “Welcome to Your Authentic Indian Experience™” by Rebecca Roanhorse (Apex 8/17)

That means I’ll be moving on to reviewing the Hugo finalists in the fiction categories. As in recent years, I’m expecting that the Hugo choices are more politically charged.

As usual, I don’t have a whole lot left to review. In the short story category, 4 out of 6 are the same for the two lists of award finalists; in the novelette category, 3 of 6 are the same and in the novella category, 4 of 6 are the same. I’ve got the most work to do in the novel category, where only 2 of the 6 are repeats. There is also a similarity in the names from previous years, with recent winners N.K. Jemisin, Ann Leckie, Yoon Ha Lee, Seanan McGuire, Ursula Vernon and Nnedi Okorafor putting in repeat appearances.

For anyone interested in how many fiction works have won both the Nebula and Hugo Award, I see there’s a list at Wikipedia.

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Review of The Stone Sky by N.K. Jemisin

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This novel is a finalist for the 2017 Nebula Award and the 2018 Hugo Award. It’s SF/fantasy and was published by Orbit. It’s third and last in The Broken Earth series.

After the fall of Castrima, Essun and the survivors set out, looking for a safe place. Nassun and Schaffa leave Found Moon in Antarctica, taking the orogene children with them. Out of reach of the village, they abandon the children and continue north. The Stone Eater Hoa takes Essun through the Earth to Antarctica, where she sees Jiju’s remains and finds that Nassun has gone. Nassun and Schaffa arrive at a deadciv city where Nassun powers up a vehicle which takes her and Schaffa to Corepoint on the other side of the world. On the way, Nassun contacts the consciousness of the Evil Earth and Schaffa is mortally wounded. Hoa takes Essun to Corepoint where she struggles with the angry Nassun for control of the Obelisk Gate. Will the Earth be destroyed, or can Essun recapture the Moon into its orbit?

As I said about books I and II of this series, the best things about it are the creative ideas and the complex world building. This continues during this book, as we learn more about the deadly Seasons, the deadciv, the lost Moon, the Stone Eaters and the orogenes’ function in suppressing the Seasons and making the Earth livable. The characters are well drawn here, and I’m finally liking them a little better. Essun and Schaffa have both mellowed so they’re less cruel and angry. You also have to give Jemisin credit for avoiding cliché endings. This was different.

Not so good points: These also continue from books I & II, with the worst problem still being readability. There are a lot of pages here and not much in the way of events, plus shifting first, second and third person narration. We’re also up to a huge cast of characters—I notice there are character guides sprung up on the internet to help you keep track of who’s who, as it’s hard to remember given the gap between release dates on the books. There are also some logical issues that developed in this installment. If Stone Eaters can carry people through the Earth, then why have they made the key players walk around through all the dangers of the Season? Also, if Hoa is the narrator for the second person sections here, why does he refer to himself in third person? And why is everything about magic in this book, when there was no mention of it in the first book? And a loose end: what happened to Essun’s baby?

Three and a half stars.

Congrats to the 2018 Hugo Finalists!

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Here’s what I got for the diversity count: Short stories – 6 women, 0 men, 3 Asian, 1 mixed race African/Native American. Novelettes – 5 women, 1 trans, 3 Asian. Novellas – 5 women, 1 trans, 1 Asian, 1 African American, 1 bipolar. Novels – 4 women, 2 men, 1 Asian, 1 African American.

Three short stories, 2 novelettes and 1 novella (6 of 24) are from Uncanny; 1 short story, 1 novelette, 5 novellas and 1 novel (8 of 24) are from Tor and Orbit published 4 of the 6 novels. The pro print magazines scored poorly, as Asimov’s squeaked in with one entry, but F&SF and Analog were totally shut out this year.

As usual, there’s quite a bit of overlap between these finalists and those of the Nebula Award, including 4 of 6 short stories, 3 of 6 novelettes, 4 of 6 novellas and 2 of 6 novels. Like the Nebulas, there is also repetition of names, as Vina Jie-Min Prasad, Sarah Pinsker and Yoon Ha Lee appear in more than one category. There’s also overlap with last years’ Hugo finalist list: N.K. Jemisin, Yoon Ha Lee, Seanan McGuire, Fran Wilde and Ursula Vernon were all finalists in 2017. Ann Leckie, N.K. Jemisin and Nnedi Okorifor were finalists in 2016.

Best Novel

The Collapsing Empire, by John Scalzi (Tor)
New York 2140, by Kim Stanley Robinson (Orbit)
Provenance, by Ann Leckie (Orbit)
Raven Stratagem, by Yoon Ha Lee (Solaris)
Six Wakes, by Mur Lafferty (Orbit)
The Stone Sky, by N. K. Jemisin (Orbit)

Best Novella

All Systems Red, by Martha Wells (Tor.com Publishing)
And Then There Were (N-One), by Sarah Pinsker (Uncanny, Mar-Apr 2017)
Binti: Home, by Nnedi Okorafor (Tor.com Publishing)
The Black Tides of Heaven, by JY Yang (Tor.com Publishing)
Down Among the Sticks and Bones, by Seanan McGuire (Tor.com Publishing)
River of Teeth, by Sarah Gailey (Tor.com Publishing)

Best Novelette

“Children of Thorns, Children of Water“, by Aliette de Bodard (Uncanny, Jul-Aug 2017)
“Extracurricular Activities“, by Yoon Ha Lee (Tor.com, February 15, 2017)
“The Secret Life of Bots“, by Suzanne Palmer (Clarkesworld, Sep 2017)
“A Series of Steaks“, by Vina Jie-Min Prasad (Clarkesworld, Jan 2017)
“Small Changes Over Long Periods of Time“, by K.M. Szpara (Uncanny, May-Jun 2017)
“Wind Will Rove“, by Sarah Pinsker (Asimov’s, Sep-Oct 2017)

Best Short Story

“Carnival Nine“, by Caroline M. Yoachim (Beneath Ceaseless Skies, May 2017)
“Clearly Lettered in a Mostly Steady Hand“, by Fran Wilde (Uncanny, Sep-Oct 2017)
“Fandom for Robots“, by Vina Jie-Min Prasad (Uncanny, Sep-Oct 2017)
“The Martian Obelisk“, by Linda Nagata (Tor.com, July 19, 2017)
“Sun, Moon, Dust“, by Ursula Vernon (Uncanny, May-Jun 2017)
“Welcome to Your Authentic Indian Experience™“, by Rebecca Roanhorse (Apex, Aug 2017)

More on Virtue Signaling vs. Independent Thinking

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In the last blog about social issues, I commented on David Gerrold’s essay ”Humanity’s R&D Department: Science Fiction.” where he discusses the requirement to virtue signal in order to preserve your reputation in the SFF community. My response was that this prevents independent thinking, or even any kind of reasonable discussion about the current direction of the publishing community. I also mentioned that it was an example of “groupthink” where a desire for conformity leads to dysfunctional outcomes. I’m sure a lot of people will disagree about this, so let’s look at some examples:

  • Readers recently complained on the Tor website about K. Arsenault Rivera appropriating Asian culture in her recently published novel The Tiger’s Daughter. This fell into silence when some more perceptive individuals pointed out that Rivera isn’t white. I gather that means it’s an attack that should be reserved for white people.
  • Writer Jenny Trout led a child rape and racism campaign against Fionna Man for writing a fantasy novel titled Thomas Jefferson’s Mistress about Thomas Jefferson and Sally Hemmings. The campaign succeeded in getting the book removed from book shelves, but then it turned out that Man is an activist African American woman writing about her own cultural history.
  • Speaking about the results, author N.K. Jemisin complained about the 2013 SFWA election in her Guest of Honor speech at the convention Continuum in Australia, “Imagine if ten percent of this country’s population was busy making active efforts to take away not mere privileges,” she said, “not even dignity, but your most basic rights. Imagine if ten percent of the people you interacted with, on a daily basis, did not regard you as human.” This seems like a stretch as an attack on the SFWA, but other people piled on regardless.
  • Generally virtue signaling provokes an avalanche of “me, too” responses, some of which can turn into vicious attacks like the one against Fionna Man. This is where the conformity problem comes into play. Everyone knows they need to publicly express certain views (as Gerrold pointed out), so once an issue is suggested, they pile on the opportunity to show their conformity. This is regardless of whether they have put any thought into whether the attack is justified or what effect it might really have in the long term. Some people really don’t care.

    Last year there was an argument at File770 where posters discussed freedom of expression and how it should be used to dictate morality. Posters apparently supported the idea that it’s fine to attack people regardless of the accuracy of your claims because this publicizes you own views (virtue signaling) and also indicates what views should be considered morally wrong and unacceptable to the public. This also assumes any injury done by the attack is socially advantageous because it will intimidate others who might be tempted to express the “wrong” views. There was no concern about what kind of personal damage this does to individuals who are erroneously attacked.

    Meanwhile, Ray Dalio, founder of Bridgewater Associates, says in his new book Principles: Life and Work that independent thinking is the most important principle for an “idea meritocracy” to rebuild our society in a better way. What should we do about that?

World Fantasy Awards

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While I’ve been doing my own thing, the World Fantasy Awards have happened. Here’s the list of nominees. Many of these are the usual suspects, but I’ll try to do some reviews to fill out the rest of the fiction categories. Many congrats to the winners!

Novel
• Winner: The Sudden Appearance of Hope, Claire North (Redhook; Orbit UK)
• Borderline, Mishell Baker (Saga)
• Roadsouls, Betsy James (Aqueduct)
• The Obelisk Gate, N.K. Jemisin (Orbit US; Orbit UK)
• Lovecraft Country, Matt Ruff (Harper)

Long Fiction
• Winner: The Dream-Quest of Vellitt Boe, Kij Johnson (Tor.com Publishing)
• The Ballad of Black Tom, Victor LaValle (Tor.com Publishing)
• Every Heart a Doorway, Seanan McGuire (Tor.com Publishing)
• “Bloodybones,” Paul F. Olson (Whispered Echoes)
• A Taste of Honey, Kai Ashante Wilson (Tor.com Publishing)

Short Fiction
• Winner: “Das Steingeschöpf,” G.V. Anderson (Strange Horizons 12/12/16)
• “Our Talons Can Crush Galaxies,” Brooke Bolander (Uncanny 11-12/16)
• “Seasons of Glass and Iron,” Amal El-Mohtar (The Starlit Wood)
• “Little Widow,” Maria Dahvana Headley (Nightmare 9/16)
• “The Fall Shall Further the Flight in Me,” Rachael K. Jones (Clockwork Phoenix 5)

Anthology
• Winner: Dreaming in the Dark, Jack Dann, ed. (PS Australia)
• Clockwork Phoenix 5, Mike Allen, ed. (Mythic Delirium)
• Children of Lovecraft, Ellen Datlow, ed. (Dark Horse)
• The Best American Science Fiction and Fantasy 2016, Karen Joy Fowler & John Joseph Adams, eds. (Mariner)
• The Starlit Wood, Dominik Parisien & Navah Wolfe, eds. (Saga)

Collection
• Winner: A Natural History of Hell, Jeffrey Ford (Small Beer)
• Sharp Ends, Joe Abercrombie (Orbit US; Gollancz)
• On the Eyeball Floor and Other Stories, Tina Connolly (Fairwood)
• Vacui Magia, L.S. Johnson (Traversing Z Press)
• The Paper Menagerie and Other Stories, Ken Liu (Saga; Head of Zeus)

Artist
• Winner: Jeffrey Alan Love
• Greg Bridges
• Julie Dillon
• Paul Lewin
• Victo Ngai

Special Award, Professional
• Winner: Michael Levy & Farah Mendelsohn, for Children’s Fantasy Literature: An Introduction(Cambridge University Press)L. Timmel Duchamp, for Aqueduct Press
• C.C. Finlay, for editing F&SF
• Kelly Link, for contributions to the genre
• Joe Monti, for contributions to the genre

Special Award, Non-Professional
• Winner: Neile Graham, for fostering excellence in the genre through her role as Workshop Director, Clarion West
• Scott H. Andrews, for Beneath Ceaseless Skies
• Malcom R. Phifer & Michael C. Phifer, for their publication The Fantasy Illustration Library, Volume Two: Gods and Goddesses (Michael Publishing)
• Lynne M. Thomas & Michael Damian Thomas, for Uncanny
• Brian White, for Fireside Fiction Company

Update on the Dragon Awards Drama 2017

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On August 10, officials at the Dragon Awards reconsidered their policy of not letting authors withdraw their names from the competition, which resulted in Littlewood and Jemisin withdrawing. Scalzi, after consulting with the officials, decided to stay in the competition, but can’t attend because he’s booked somewhere else for Labor Day weekend. Interestingly, Littlewood and Jemisin both released statements that they were withdrawing because they didn’t want to be used as political pawns.

Littlewood’s position is easy to understand, as her novel The Hidden People was on Vox Day’s list of recommendations for the award. (Can you still call it a Rabid Puppy slate when he calls it recommendations?) Appalled at being targeted, Littlewood jumped to make it clear she didn’t want to be tainted by Rabid Puppy support. This pretty much mirrors similar behavior from authors in the last couple of years. But Jemisin’s statement is more interesting. “There’s a nasty tendency on the part of some organizations to try and use tokens,” she says on her blog, “— most often women and people of color — as ornamentation and flak shielding. It’s a way of saying, ‘Hey! Look! We’re diverse. We’re fair. [Person X’s presence] proves it!’ when in fact the fairness may be an unearned veneer and the diversity a reluctant afterthought.”

This suggests even Jemisin is noticing how often her name appears on awards ballots when plenty of other talented and deserving writers-of-color are out there. Evidently she suspected the Dragon Awards committee might have inserted her name, but it turned out to be fans after all (described as “justice warriors” by President of Dragon Con, Pat Henry). Whatever, these withdrawals reduce the gender diversity of the award even further, leaving the ballot at approximately 82% men.

In light of yesterday’s Hugo results where all the fiction awards went to women, there seems to be a growing split between male and female interests during the SFF awards cycle. Is there any chance this might improve in the near future?

2017 Hugo Winners

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Congratulations to all the winners!

Best Novel (2078 ballots)

All the Birds in the Sky by Charlie Jane Anders (Tor Books / Titan Books)
A Closed and Common Orbit by Becky Chambers (Hodder & Stoughton / Harper Voyager US)
Death’s End by Cixin Liu (Tor Books / Head of Zeus)
Ninefox Gambit by Yoon Ha Lee (Solaris Books)
The Obelisk Gate by N. K. Jemisin (Orbit Books)
Too Like the Lightning by Ada Palmer (Tor Books)

Best Novella (1410 ballots)

The Ballad of Black Tom by Victor LaValle (Tor.com Publishing)
The Dream-Quest of Vellitt Boe by Kij Johnson (Tor.com Publishing)
Every Heart a Doorway by Seanan McGuire (Tor.com Publishing)
Penric and the Shaman by Lois McMaster Bujold (Spectrum Literary Agency)
A Taste of Honey by Kai Ashante Wilson (Tor.com Publishing)
This Census-Taker by China Miéville (Del Rey / Picador)

Best Novelette (1097 ballots)

Alien Stripper Boned From Behind By The T-Rex by Stix Hiscock (self-published)
“The Art of Space Travel” by Nina Allan (Tor.com, July 2016)
“The Jewel and Her Lapidary” by Fran Wilde (Tor.com Publishing, May 2016)
“The Tomato Thief” by Ursula Vernon (Apex Magazine, January 2016)
“Touring with the Alien” by Carolyn Ives Gilman (Clarkesworld Magazine, April 2016)
“You’ll Surely Drown Here If You Stay” by Alyssa Wong (Uncanny Magazine, May 2016)

Best Short Story (1275 ballots)

“The City Born Great” by N. K. Jemisin (Tor.com, September 2016)
“A Fist of Permutations in Lightning and Wildflowers” by Alyssa Wong (Tor.com, March 2016)
“Our Talons Can Crush Galaxies” by Brooke Bolander (Uncanny Magazine, November 2016)
“Seasons of Glass and Iron” by Amal El-Mohtar (The Starlit Wood: New Fairy Tales, Saga Press)
“That Game We Played During the War” by Carrie Vaughn (Tor.com, March 2016)
“An Unimaginable Light” by John C. Wright (God, Robot, Castalia House)

Best Series (1393 votes)

The Craft Sequence by Max Gladstone (Tor Books)
The Expanse by James S.A. Corey (Orbit US / Orbit UK)
The October Daye Books by Seanan McGuire (DAW / Corsair)
The Peter Grant / Rivers of London series by Ben Aaronovitch (Gollancz / Del Rey / DAW / Subterranean)
The Temeraire series by Naomi Novik (Del Rey / Harper Voyager UK)
The Vorkosigan Saga by Lois McMaster Bujold (Baen)

John W. Campbell Award for Best New Writer (937 ballots)

Sarah Gailey (1st year of eligibility)
J. Mulrooney (1st year of eligibility)
Malka Older (2nd year of eligibility)
Ada Palmer (1st year of eligibility)
Laurie Penny (2nd year of eligibility)
Kelly Robson (2nd year of eligibility)

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