Wrap Up of the 2019 Goodreads Choice Award Reviews

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For anyone who doesn’t know, Amazon bought Goodreads in 2013, in a move to integrate the review and discussion site for direct promotion of its literary offerings. Goodreads analyzes the data from what they say includes hundreds of millions of books rated, reviewed, and added to their Want to Read Shelves in a given year to determine which books make the cut for the Opening Round. This is followed by Semifinal Round and a Final Round where site users are invited to vote for the winners. In 2019 there were 300 initial nominees with an average rating of 4 stars. Because the site is so powerful, it’s clearly important for authors to pay attention to how their books are received and reviewed there. That makes this pretty much a popularity award, though I expect it will be affected by factors like levels of promotion and influencers within the various Goodreads groups.

So, this went better than I expected. I don’t always like bestseller novels because I do like solid world building, strong characters and literary elements like theme and meaning. Although Crouch’s book was a little weak, I did like the novels the women authors wrote. One of the big advantages in reading for this award was that there seemed to be a minimum of political messages in the books. There were messages and themes, of course, but in general they were more social commentary than political screeds. These included the dangers of technology (Crouch) and the effects of power, abuse and bullying (Black). Bardugo’s book is a little harder to summarize, but also seems to be about abusing others for the purposes of achieving power.

These books seem to have won the awards pretty much on their entertainment value and for how they speak to the reader, rather than for their “diversity” or other characteristics. All three winners involve mainly white characters, except for Bardugo’s black Centurion, and all the authors are also white. Bardugo appears to be Jewish, and Crouch writes about gay characters fairly often, but hasn’t come out as gay that I can find with a quick search. Of the three, only Black seems to have been recognized by the SFF community; she won the Andre Norton Award in 2005 for Valiant: A Modern Tale of Faery.

Since this went well, I’ll do it again next year. Stay tuned for the 2019 Nebula reviews.

Review of House of Assassins by Larry Correia

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This novel is epic fantasy published by Baen in February of 2019, and won the 2019 Dragon Award for Best Fantasy Novel. It’s listed as Book 2 in the Saga of the Forgotten Warrior, preceded by Book 1, Son of the Black Sword, and soon to be followed by Book 3, Destroyer of Worlds, projected for release in 2020. This review contains spoilers.

Ashok Vadal has lost his position as a Protector of the Law, and his magical ancestral blade Angruvadal has self-destructed, leaving only a shard of Black Steel in Vadal’s chest. He has learned that he is actually from the casteless, and that he’s been used all his life as a pawn in a political game by the powerful rulers in Lok. He’s responded by leading a rebellion, but now he has lost Thera, a member of the high-ranking Warrior Caste, who has been kidnapped by a powerful wizard and hidden away in the House of Assassins. Ashok sets out to rescue her, and to fulfil his vow to protect the Prophet. This looks to be a difficult task, so he divides his forces, sending part with Keta to hide out in the South, while he leads a force against the wizard assassins. Meanwhile, Thera’s captor is trying to force her to learn magic so she will either be killed in the Trial, or become one of the House. Fighting his way into the House to rescue her, Ashok begins to realize that they are all embroiled in an deeper intrigue they don’t understand. Is there any way out of it? Or are they destined to play out the game?

This is pretty much first class as far as epic fantasy goes. The world building, the plotting and the characters are all downright awesome. The plot is full of intrigue, political maneuverings and gaming on different levels. At this point, we’re getting glimpses of the greater picture, where Ashok has possibly become the tool of the Forgotten Gods, a hero meant to rescue the casteless and restore Lok to a kinder, gentler place without that restrictive caste system and those awful demons that fill the oceans. Of course, a lot of people are going to have to die before we get there—some of them maybe a couple or three times. Corriea has an entertaining writing style, and his characters tend to be smartass, all with endearing little tics that keep them from falling into stereotypes. Thera, for example, tends to collect weapons that she hides under her clothing, and she has absolutely no control of the Prophet Voice. Gutch, the greedy fat merchant, turns out to be actually quite effective in the carnage. Corriea is pretty good at imagery, too, providing us with some highly visual, cinematic scenes.

The only negative I can point out here is the amount of cruelty and violence. And Ashok is, of course, way over the top as a hero, but Corriea justifies it well. Highly recommended for epic fantasy fans.

Five stars.

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