I’ve been complaining for a while about the kind of author bullying that comes from cancel culture. By now, everybody should know how this goes: An author, often a young person-of-color who isn’t well established, offers a novel, and a mob on Twitter piles on with charges of racism, insensitivity and cultural appropriation. The mob keeps screaming until the author or publisher pulls the book. It may be quietly released later on, but the campaign has damaged the marketing buzz and reduces the sales and acclaim for the book. This activity recently spread to publishing when a mob incited by romance author Courtney Milan attacked a small publisher and a free-lance editor. The tactic generally works better on fairly powerless nobodies, as well-established authors can just ignore the whole thing. The question has been hanging there about whether this is just a “mean girls” sort of action where little jealousies lead to pulling people down, or whether it’s actually about something bigger.

A couple or three things have hit the news recently that are making me think this is something bigger, in fact, a symptom of larger and more dangerous social trends. The first of these is a revolutionary strain of anarcho-communist ideology running through the summer “protests against systemic racism.” In case anyone is still in the dark about this movement, it is a type of utopian communism that calls for the abolition of the state, capitalism, wage labor and private property. Supposed to “free” people from laws and government control, its goal is actually totalitarianism, where the prescribed beliefs become entrenched and are enforced by members of society as a requirement. Because of its proscriptions against capitalism, wage labor and private property, this movement means to destroy the usual avenues of success in Western societies like education, opportunity and rewards for individual hard work. That means if you’re a young person who has written a promising book, you need to be bullied into withdrawing it to keep you a nobody, and if you have a budding editing or publishing business, you need to lose it if you don’t toe the line on ideology. In case anyone is wondering what totalitarianism is about, it’s a dictatorial society that requires complete subservience to a list of stated beliefs.

So, what other evidence on totalitarianism do I have this week? I’ve just run across a proposal from academic Dr. Ibram X. Kendi, most recently noted for the 2019 book How to Be an Antiracist, where his main thesis is that antiracists should “dismantle” racist systems. Since publishing the book, Kendi has proposed a Constitutional amendment in the US to establish and fund the Department of Anti-racism (DOA). This department would be responsible for “preclearing all local, state and federal public policies to ensure they won’t yield racial inequity, monitor those policies, investigate and be empowered with disciplinary tools to wield over and against policymakers and public officials who do not voluntarily change their racist policy and ideas.” This is a huge amount of power. It sounds like embedding cancel culture as an official government function. And the big question is, what is going to constitute “racism?”

And my last bit of troubling evidence: I’ve been noting for a while the results of SFF awards that seem to trend toward particular favored groups and strongly discriminate against others. This seems to be an unwritten rule about what’s acceptable to win, however the results are managed. You’d think from the huge outcry about racism in recent years that this would promote persons-of-color, but it doesn’t look to be doing that. Instead, it has shown to benefit mostly white women. Now the Academy of Motion Picture Arts and Sciences (a.k.a. the Oscars) has actually published their award requirements, setting quotas for minority inclusion and limits on theme, storyline and narrative for writers:

A3. Main storyline/subject matter
The main storyline(s), theme or narrative of the film is centered on an underrepresented group(s).
• Women
• Racial or ethnic group
• People with cognitive or physical disabilities, or who are deaf or hard of hearing

At first glance this might not seem to be that much of a problem. More minorities are employed, yah! But the damage to intellectual freedom is something else. This is a movement toward dictating what’s acceptable for people to write about and what’s acceptable for official recognition. During the Cold War, we used roll our eyes at the USSR and Maoist ideology-controlled books and films. Do we really want to go there?