So, there are a number of reasons why this series would never have happened on other entertainment services than Netflix with a MA (mature audience) rating. The first of course, is the darkness of both the subject matter and the production. This is about evil as represented by organized crime and a cast of people who are trying to do something about it. The production doesn’t hold back on either blood or the representations of evil. Lots of people get hurt and killed in ugly ways, and a few get tortured along the way. Especially in the first season, Daredevil isn’t always a nice person.

This production is tailored to fit well into today’s expectations, as the cast is diverse and there are some liberal additions to the story lines—organized crime forcing poor minority immigrants out of their homes, etc. However, there is a darkness in the heart of the story that current viewers may not recognize. This story is very much about the Irish experience. The Irish weren’t considered white in the US in the 19th century, and Daredevil debuted in 1964 when there was still active discrimination against Irish Catholics in the US. This means that when Marvel released the comic, it was actually a diversity addition to their offerings.

Next, I’m surprised that there’s been no comment on the ideology here. Despite the trimmings, this show presents something you don’t see much these days—that is conservative values including love, family, respect, religion, strict morals, Western culture and the rule of law. The discussion of good and evil is framed in Catholic terms as about the Christian God versus the adversarial Satan, and Matt is working from a strict Christian moral system that defines what is acceptable for a “good” person to do and what’s not. The danger in failing is losing his soul and, as Sister Maggie warns him, becoming the monster himself.

The last issue is something interesting that’s understated here, but built clearly into the concept. It’s considered politically incorrect to discuss racial characteristics these days, but since the Irish and Germans are now both white, then they’re fair game, right? Plus, I’ve got a lot of Irish and German in my family tree, and I can talk about my own roots. So, the Germanic tribes really like order, punctuality and world domination. The Celtic tribes, on the other hand, are known for passion, wit and ferocity. This means you want to put Germans in control of your transportation system and the Irish in as first responders—firefighters and police. If you don’t believe in racial characteristics and you want to do it the other way around, then fine, but the results are your problem. So this story is about Matt Murdock’s Irish fire against Wilson Fisk’s Germanic drive for order and world domination. It’s an old war, going all the way back to the Iron Age in Europe, but still playing out here in the neighborhoods of NYC.

I love complex works. Congratulations to the show’s stars and production team for carrying it off so well.

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